Yamaha Pocketrak 2G & CX
These portable digital recorders are tiny, convenient, and they look great... but are Yamaha's latest gizmos any good for musicians?
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These portable digital recorders are tiny, convenient, and they look great... but are Yamaha's latest gizmos any good for musicians?
After more than five years, Yamaha's AW range boasts a new flagship, offering 24 tracks, a sweeter-sounding automated mixer, four multi-effects processors, and convenient USB file transfer. We find out if it has been worth the wait...
I have a song recorded as a MIDI sequence on a Yamaha QY700 hardware sequencer which I'm trying to record onto a Yamaha AW16G...
Yamaha breathe new life into their AW range with USB connectivity, loop sampling, and an onboard pitch-correction processor.
I use MIDI-sequenced sound modules for backing, so I am considering the option of sync'ing my sequencer with my AW4416 and running the modules in time with the recorded material. Or is it more sensible for me to record the module outputs to the hard drive?
Another selection of creative and time-saving tricks for Yamaha's fully featured hard disk multitracker.
Combining the guts of an 02R mixer with a fully featured multitrack recorder, the AW4416 ended up being a prodigiously complex beast. Our hands-on workshop shows you which of those snazzy features work best in practice, and how to use them efficiently.
Recently, I bought a digital recorder and have been re-recording some of my old compositions from scratch in digital but, to my great disappointment, I am finding that my mixes are sounding harsh and cluttered. I thought digital recording would give me more clarity in the mix because of its higher fidelity. Where am I going wrong and what can I do about it?
With the recent announcement of Yamaha's keenly priced 01X Music Production Studio, it looks as though mLAN, the Firewire-based protocol for multi-channel digital audio and MIDI, might be about to come of age. We take an early look at the new system.
First there was the 4416, then the 2816. Now Yamaha have announced a baby brother for their AW audio workstations, in the form of the AW16G.
Yamaha's AW2816 audio workstation appears to offer much of the functionality of the acclaimed AW4416, but at an even lower price point.
Hugh Robjohns tries out the very first production unit of the AW4416 — Yamaha's eagerly awaited combination of O-series digital mixer, hard disk recorder and sampler — and finds even more than he bargained for...
Yamaha's AW4416 recording workstation, which debued at the NAMM show earlier this year, has been the subject of more reader inquiries at the SOS office than any other product in living memory. In this exclusive preview, Hugh Robjohns gets his hands on a prototype to find out what we have to look forward to...
Paul White tests Yamaha's new high-end CD recorder, featuring Apogee's acclaimed UV22 noise-shaped dithering technology.
The eight-track digital recorder has become a standard building block at virtually every level of the recording industry, and a wide range of tape and hard disk-based devices is available. Now Yamaha have extended the choice with a machine built around a 640Mb magneto-optical drive. Hugh Robjohns takes it for a spin...
Portable digital multitrackers are getting even more sophisticated — and ever more affordable. Hugh Robjohns checks out Yamaha's latest MiniDisk 4-track.
Yamaha's soundcard is a synth, a mixer and an effects unit in one. Martin Walker finds plenty to talk about.
Superficially, it may look no different from other soundcards, but Yamaha's new DSP Factory is a real TARDIS when it comes to facilities. Martin Walker explores a soundcard that's bigger on the inside than it is on the outside.
If you liked the look of last year's Minidisc-based digital 4-track machines, but need more tracks, look no further. The Yamaha MD8 manages 8-track recording and palyback, but is still priced at just under a thousand pounds. Martin Walker suddenly finds less need to bounce.
Yamaha's new CD-ROM burner comes with the option of a cut-price copy of Toast 3.5, allowing you to create backups, burn CDs, and even make your own CD-ROMs. Paul White tries out the combination.