SOUND ON SOUND
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We show you how to get started in the brave new world of Dolby Atmos, using Logic Pro.
Tilt! is a neat and genuinely useful plug‑in which offers a pair of modelled shelving filters, each with a switchable turnover frequency.
Nektar’s LX Mini controller keyboard ticks all the right boxes.
PlayScore 2 is an iOS and Android app that performs OMR (optical music recognition) via a device’s camera or graphics‑type file import.
We put UVI Falcon to work as a drum replacement tool.
The waveform of an audio file looks bizarre when I load it in Adobe Audition, with a curious displacement of the audio...
I have a Tram TR50 lavalier mic with a very low output level. I was thinking about getting an inline gain booster for it, but someone told me that this kind of device was not appropriate for lav mics...
With our routing sorted, it’s time to record some MIDI!
We generate MIDI from audio, and look at what’s new in Live 11.1.
“New modules (not a new Disting)” declared an Expert Sleepers Instagram post shortly before the announcement of a ...
Mylar Melodies has in recent years ascended to become one of the Internet’s premier educators in all things modular.
Asked to pick a favourite sound from the band’s influential catalogue, Walter Flakus dives into the track ‘Drugstore’, from 1998 album Darkest Days.
Aki Mäkivirta, R&D Director at Genelec, talks to Sam Inglis about the latest developments in immersive audio, GLM measurement software and Aural ID technology.
Matt Johnson of Jamiroquai talks us through five of his favourite keyboard processing tips.
When it comes to history, there are typically two ways of looking at a subject. One is to examine it from an emotional...
Osiris has four banks of 32 wavetables, harbouring 32 waveforms each, that you can browse and smooth between...
The Impulse pedal can store up to 99 impulse responses and comes ready loaded with some excellent IRs from Celestion’s collection.
DP's ProVerb offers an easy way to experiment with guitar amp impulse responses.
Toontrack’s EZdrummer just gets better and better.
Can the Mixcast 4 offer podcast producers something its rivals can’t?