Reaper Keeper
Here’s how to ensure your Reaper projects will still be accessible a year from now — or even a decade.
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Here’s how to ensure your Reaper projects will still be accessible a year from now — or even a decade.
Find out how Sonar’s enhanced Matrix View can help speed up your workflow.
Inspired by Norman Petty and Sam Phillips, studio owner Dean Amos has lovingly built a perfect recreation of a 1950s recording environment — right down to the dimensions of the pegboard!
A list of all articles that hold associated media files for May 2017 audio examples and video tutorials.
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We look at the most popular Pro Tools feature requests, and explain how you can adapt where they haven’t yet been implemented.
Reaper’s Stretch Markers feature intelligent linking, which can ease the burden of manual vocal alignment.
We look at different ways to slice audio in Reason.
It sometimes makes economic sense to use a commercial studio, and you’ll often learn a thing or two while you’re there as well.
Add artificial stereo width to guitars in your Studio One mixes.
The Studio SOS team put their DIY skills to the test, constructing a new studio desk and optimising a home studio’s acoustics.
A list of all articles that hold the associated media files for April 2017 audio examples and video tutorials.
Creating alien worlds, bringing droids to life and giving Star Wars more realism. We talk sound design and foley with the team behind the critically-acclaimed Rogue One.
Neneh Cherry’s breakthrough 1988 single melded hip-hop and cut-and-paste sampling into a perfect pop record.
Amongst Cubase 9’s new features is a whole new track type dedicated to quick and easy sampling.
We show you how to get creative with the crossfader in Ableton Live.
Achieving a naturalistic sound on a Hollywood film set isn’t easy — but was central to director Damien Chazelle’s vision for La La Land.
We explore the new Track Alternatives feature added to the recent Logic Pro 10.3 update.
Is it possible to transfer everything from your existing Windows music computer to a new machine, or should you start afresh?
Thoughtfully prepared DAW templates can leave you with more time for the creative and musical side of mixing.
Recorded, mixed and co-produced by Greg Fidelman, Metallica’s Hardwired... To Self-Destruct has proved an unexpected career high point.