SOUND ON SOUND
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It's not a new synth — it's seven! Korg's amazing new Prophecy offers analogue and FM synthesis, and physical modelling, and still costs under £1000. Unsurprisingly, SOS staff have been dying to review one ever since it was unveiled at this year's Frankfurt Musik Messe. Lucky man Gordon Reid won the toss...
Offering evolution not revolution, the feature-laden K2500R packs one heck of a sonic punch. Paul Ward remains impressed...
Kenton Electronics' new one-channel MIDI-CV converter is slightly more expensive than others of its kind — but there's a reason!
Vocoders aren't just about tiny robot voices from awful '70s records — some could generate lush choir sounds and opulent strings too.
Fletcher ElectroAcoustics' Voice Channel is a modern reincarnation of a vintage classic compressor, repackaged with a high-spec mic amp and an enhancer.
Long-term K2000 user Paul Ward gets to grips with the latest in Kurzweil's line of groundbreaking synths for just long enough to produce this hands-on preview...
Having nearly made it in the '80s with an awesome sound on a par with Trevor Horn's productions, UK electronic music stalwart Mark Shreeve is back, with his sights set on Hollywood. Jonathan Miller discusses vintage gear, multi-million pound albums, and Samantha Fox.
The RY8 isn't just the latest in Yamaha's much-respected RY series of drum machines — the diminutive casing houses everything a mobile guitarist could need as a portable backing band, even a guitar synth!
In the first of a 2-Part series, Paul Farrer offers some hints and tips for improving the sounds you can coax from Emu's popular Proteus range.
With MIDI playing an ever greater part in music production, there's a danger that the art of using microphones will be lost. Paul White describes the valuable techniques of miking acoustic instruments — something he recommends every studio user should learn.
Paul White puts his exotic mic collection back in the cupboard to try out Samson's budget dynamic vocal model.
Two of Yamaha's most recent products, the MU50 synth module and the CBX-K1 mini keyboard, are designed to compliment each other as the nucleus of a budget, GM-compatible music-making setup.. Paul Nagle evaluates the pair, and considers the potentially confusing role of Yamaha's XG MIDI format...
Paul White subjects his studio to yet more upheaval as the monitors are changed yet again, all in the cause of research.
Paul White tries his hand at tonal transformation using Ashly Audio's latest parametric equaliser.
The Sessionmaster JD10 recording preamp provides the perfect excuse for guitar practice at the magazine's expense!
After a lengthy wait, Behringer's 48/24 dual input recording mixer is finally here. We take the wraps off this seductively priced 8-bus console.
It's clear from our readers' survey that while you like to read about those on the professional side of the recording industry, you'd also like to hear more from fellow mortals! In the first of this occasional series, Paul White talks to Rick Cordes, an SOS reader who's built himself a very tidy basement studio...
Paul White tries out a deceptively small mastering recorder that's ideal for location recording and sample gathering.
Twiddly Bits are short MIDI files, available in either PC/Atari or Mac format, and contain musical extracts, drum patterns, drum fills and percussion lines which can be cut and pasted into your own compositions.
The author of this book, Allen Wright, obviously takes his tube audio very seriously indeed, but don't expect this work to...