SOUND ON SOUND
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Audio Merge will soon begin production of their Altec 9067B-inspired filter unit, following a successful crowdfunding campaign that saw them achieve their goal in just three hours.
As well as delivering a realistic acoustic piano sound, Liberty Upright also includes a set of naturally detuned samples that can be used alongside Pianoverse’s sound-design tools.
The latest version of dxRevive Pro updates two of the plug-ins algorithms and adds an entirely new one in the form of EQ Restore.
VSL's latest release adds some soloists to the Synchron Series, capturing performances by the Synchron Stage Orchestra’s concertmaster, Marina Dimitrova and first chair cellist, Florian Eggner.
Oberheim's OB-X8 has just been treated to a free software update that introduces some powerful new features.
Arturia's new expanders offer a convenient way to add some line-level I/O to ADAT-equipped interfaces.
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The UK's premier audio equipment show is returning to Tileyard London for its third year, and tickets are now on sale.
The latest version of RME's flagship MADIface interface delivers some impressive technical improvments across the board.
The MIDI Association are inviting the public to cast their votes and decide which entrants make it through to the final stage of this year's awards
The Art & Science Of Sound Recording's latest event sees the organisation take a new approach to their in-person workshops.
AudioScape have announced a modern relaunch of Modular Audio Products, and the first release to sport the name is a dual-channel preamp based on Melcor’s AM-27.
Gradient Synth takes a novel approach to sound creation and allows users to create soundscapes by interacting with a colour palette rather than more traditional sets of controls.
Antelope Audio’s latest desktop audio interface, the Zen Quadro, offers an impressive amount of interface for your money.
EastWest get intimate with their latest orchestral string section library: Hollywood Strings 2.
Designed to deliver an aggressive ’90s mastering sound on stage, the Golden Master could well come in handy in the studio too.
Andy Jackson has worked with Pink Floyd and David Gilmour since 1980, and a favourite among the many great sounds Jackson has recorded is the dry, dense drum sound heard on Pink Floyd’s ‘Marooned Jam’.
Marketed under the United Plugins umbrella, Instant Audio’s BassRift is a split‑band processor designed to modify bass sounds (whether synth or guitar) in creative ways.
Available through United Plugins, Soundevice Digital’s Randomachine introduces adjustable random processing elements that can be useful in adding variation to an otherwise monotonous part.
As somebody who finds the commercial side of the music business interesting with a slowly growing collection of almost finished music that someday it would be fun to set free, there was no question that I wanted to read this book...