SOUND ON SOUND
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I've been comparing two records, and both sound massive in the studio compared with our mixes but when you press the mono button, on one it disappears, and when you press it on the other it doesn't change one bit! How do they do it?
I noticed a quiet high-pitched whine coming from my Tannoy Reveal Active monitors, which are plugged into my Spirit Folio F14 mixer. Eventually I found that the whine stops when I press the button on my Edirol DA2496 soundcard to select an external word clock. I would rather get to the source of the problem and sort it out. Can you help?
I bought some CDs of new sound banks for my Korg Wavestation off eBay recently, only to find that most of them are in System Exclusive (SysEx) format rather than MIDI files. I have loaded sounds into my synths from MIDI files before using Cubase, but I don't know how to do it with a SysEx file. Can you help?
When using a compressor and an EQ as insert effects on a snare drum, is it better to use compression followed by EQ or EQ first then compression?
I am concerned about my hearing getting damaged — more at live gigs than in the studio — and I'm wondering how I'd go about getting my hearing checked. Also, is there anything I can do to reduce the risk of damaging my hearing if I'm attending or playing regularly at loud gigs regularly?
I am told that it is possible to remove the vocals from a CD track by reversing the phase of one of the stereo channels. Is this correct and, if so, how does it work? Also, is the reverse possible — can you remove the rest of the track to just leave the vocals?SOS Forum Post
I am having serious earthing problems which are making it difficult for me to record a clean guitar sound. All my leads are good, and I don't have this problem with any of my other equipment — just the guitar stuff. Could it be a problem with my domestic mains supply?
I love banging away on my thighs and knees, and I feel that I make some of my most interesting drum patterns in this way. How could I build a controller with a pair of panels that are velocity-sensitive to sit atop my thighs?
These acoustic panels not only offer sonic improvements over simple acoustic-foam treatments, but are also very easy to install.
We explore an advanced technique for creating 'instant' tracks using Propellerhead's Reason software.
Roland's original Fantom workstation wasn't really much competition for Korg's Triton, so it was no shock to see it revamped last year as the hugely improved Fantom S. But surprisingly, Roland have done it again. What's new this time around?
Reviews/appraisals of the latest sample CDs: PCP-80 Electric Grand 5* • Solo Strings 5* • Tool Shed Percussion 5* • Woodwind Collection Expanded Edition 4*
We bring you yet more Sonar stratagems, including further adventures in envelope copying, some handy track tricks, and advice on using Arturia's Storm with Sonar.
This system can record in mono, stereo, or any current or future surround format — using just one mic.
Are we missing an opportunity to make audio distribution a better deal for musicians?
We help television composer Dave Lowe transform a cavernous-sounding spare bedroom into a usable home studio.
For all those Pro Tools users who pine for the sound of analogue EQ, URS have recreated the equalisers from three classic mixing desks.
Sampled tonewheel organ sounds have been around for many years, but more recently we have seen the arrival of modelled virtual tonewheel organs. Can a sample-based Hammond emulation still cut it?
Surround-capable reverbs don't usually come with a price tag of £100. However, nobody seems to have told Voxengo. So just how good is their Pristine Space PC VST plug-in?
Recording chamber music in Birmingham's Symphony Hall is not something you get to do every day, so SOS decided to make the most of the occasion by using two completely different setups, one based on professional equipment (manned by Hugh Robjohns) and one on project studio gear (operated by Paul White).