SOUND ON SOUND
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Apple have reinvented Camel Audio’s CamelPhat as the flexible Phat FX in Logic Pro 10.4. We see what it can do.
Talent and hard work have taken Marta Salogni from dive bars in Italy to working with A-list mixing and production clients in the UK in less than a decade.
Meris’s recent repackaging of their Mercury7 500-series unit into a reverb pedal has brought with it stereo operation at both instrument and line levels and a very welcome drop in price.
The Ottobit Jr adds stereo operation, a six-step sequencer, a synth-like resonant low-pass ladder filter, triggered stutter effects, 16 preset memory slots and MIDI I/O to the mono original’s variable sample rate and bit-crushing abilities.
This classy valve mic is redolent of the classic German designs of old, yet comes at a fraction of the cost.
In a move that may appeal to fans of the movie Inception, the 1010music Toolbox takes a modular approach to your modular’s modulation...
Dendrites is a compact filter module consisting of 16 modes, accessed from a central encoder. Each group of low-pass, band-pass, high-pass and phase-shift filters is represented by a different coloured LED...
Who benefits from wordy and expensive contracts in the world of music for media? Not the musician, that’s for sure.
Find out how Mytek’s latest reference-level converter stacks up against the competition.
Many still bemoan the demise of the large commercial studio — but what if music itself was to blame?
Mono plug-ins in Pro Tools can be used on stereo and surround tracks. We explain why this is useful!
I have a Roland Quad Capture [audio interface], which I’m very happy with. I would like to use the digital inputs in addition to the two analogue inputs. How can I achieve this?
For some live recordings I’m doing later this year I will have to place the mic on the stage front and I need to ensure that vibrations up to the mic are minimised...
I’ve not found a way of bypassing an external effect (Boss DD-500) by using automation in Cubase 8.5 Pro. I didn’t want the...
Rob Papen’s latest synth keeps things simple with single-page operation, but doesn’t compromise on sound.
Noise Engineering’s modules have made the leap from Eurorack to Reason rack. We investigate...
Oceania comprises two choirs — men and women — which can be used independently but are at their imposing best when played in tandem.
Following a recent nearfield monitor review of mine in SOS — a product, it’s true to say, that I didn’t find entirely...
Bass Slapper is a stand-alone and plug-in (VST, AU, AAX) virtual instrument that, with just a little bit of practice, will allow you to give the likes of Stanley Clarke, Bootsy Collins or Mark King a run for their money.
On offer here is a wide range of more abstract ‘wind-flavoured’ sounds — in fact, just about anything other than traditional brass and wind.