SOUND ON SOUND
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If you want a big sound from a small PA, LD’s latest column system might be just the ticket.
Recording our own music has never been more affordable, but there are still some pricing decisions that make little sense to...
With a stellar line-up of producers, engineers and co-writers behind her, Lana Del Rey appears to be unstoppable...
A trailer can make or break a blockbuster movie, and the choice of music can make or break a trailer. Chances are that music will be library music...
We show you how Live and Reason can play together thanks to Ableton Link.
Logic Pro 10.3.2 improves the DAW’s Drummer feature by adding new Percussionists to the mix.
Orchestral Tools add orchestral percussion to their Berlin symphonic project and unleash a second cinematic epic.
DI boxes are a mainstay of both studio and live sound, acting as ‘go betweens’ when matching various signal...
Increasingly, clients don’t just want your music. They want the opportunity to ruin your music, and waste hours of your life into the bargain.
New York’s Avatar Studios — au revoir, but not goodbye.
One of the highlights of the 2017 Manchester International Festival was a series of intimate live performances by New Order, who reinvented their stage show by introducing an entirely new set list and a 12-piece synthesizer orchestra!
The Pro extension to MasterCheck takes this plug-in to a whole new level, allowing the user to hear (as well as see) how a track will work on different media platforms.
Leapwing Audio are new Belgian plug-in developers. CenterOne is a ‘spatial’ plug-in that doesn’t use M-S techniques at all, relying instead on sophisticated panning and spatial manipulation algorithms.
UltraTap delay was an algorithm in Eventide's H9 processor, but it has now become available as a plug-in in its own right.
In theory, old Pro Tools sessions should open in version 12. In practice, you may need to know a few tricks!
In a previous article you mentioned the importance of correct phase between satellites and subwoofer. Can you tell me what’s going on when you cannot hear any difference between 0 and 180 degrees?
Why does everyone, pros and all, say that the snare bottom mic is ‘out of phase’, and that its polarity must be reversed? Isn’t it the top mic that should be reversed?
Will the audio quality from an Allen & Heath XB-10 paired with a JK Audio Innkeeper telephone hybrid be better than the Allen & Heath ZED-10, also paired with an Innkeeper?
Reaper’s Region Playlists make it easy to sketch out new song structures or rework existing tracks.