SOUND ON SOUND
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This latest mic from the respected Bock stable is as classy as it is versatile!
It should go without saying that the most important task recording and mix engineers need to focus on is listening, but we are being distracted from that task.
Cult TV series Stranger Things has become essential viewing — and essential listening. We talk to the previously unknown composers behind its hit soundtrack.
With a gruelling schedule and strict technical requirements, including surround-sound elements, Steven Wilson’s recent Hand. Cannot. Erase. world tour was nothing if not ambitious.
Not many recording studios can boast a history more than a century long. And although Emil Berliner Studios are no longer located in their original site, their story is inseparably linked to some major milestones in the history of recording.
Console emulation is all the rage, and it’s now built into Studio One. We explore what it offers...
The Mimiq Doubler is essentially a real-time digital double-tracking emulator that’s able to add one, two, or three ‘cloned’ parts to the original dry signal...
I’ve been dabbling in creating my own sample-based instruments in Kontakt over the last few years — one day, I...
Is it really possible to carry out studio-quality pitch-correction in real time? Waves think so...
We examine the production of some recent hits to help you brush up on your listening skills: Neiked featuring Dyo • Rae Sremmurd featuring Gucci Mane • Michael Ball & Alfie Boe • The Rolling Stones • Robbie Williams • Classic Mix: George Michael ‘Careless Whisper’ (1984 Single Version).
This fully-functional polyphonic MIDI controller offers an elegant and well-equipped case for your Eurorack modules.
Whilst playing Theremin+ certainly isn’t the same experience as performing with the real thing, but for recording purposes its 106 24-bit PCM WAV samples should function as a convincing substitute.
Watch engineer/producer extraordinaire Eric Valentine as he crafts a shimmering surf guitar sound, in the vein of Smash Mouth or Third Eye Blind, that employs three amps and judicial use of modulation effects.
We sat down with songwriter/producer Jake Gosling ahead of his masterclass at ACM in Guildford, UK, to talk about creating better arrangements, getting the best out of performers, and the advantages of having a simple recording setup.
Please help me to understand the terms ‘aux’ and ‘bus’ in the context of a mixer. Is there any difference between them? Do they perform the same function?
Orchestral Tools complete their symphonic series with a major brass library.
The Music Producers Guild has honoured Mr. Rupert Neve with a Special Recognition Award at this year's ...
Introduced in October last year, Spatial Workstation is a free software suite made by Facebook 360 for designing spatial audio for 360 video and cinematic VR.
Ableton has released Beat Tools, a new creative toolkit designed to provide all you need for beatmaking.