SOUND ON SOUND
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IK Multimedia have unveiled the iLoud Precision MkII, the next generation of their studio monitor range, featuring the company’s new ARC X acoustic correction system.
Erica Synths have introduced a new utility tool that serves as a successor to their first desktop unit, the MIDI Thru Box.
Relying on a technique that Techivation refer to as "phase-only, time-varying spectral decorrelation", M-Imager is said to be capable of achieving stable, natural-sounding stereo images without introducing the ‘phasey’ sound that’s often associated with rival processors.
Sonarworks have just launched their Autumn Sale, savings of up to 40% being applied across their range of SoundID Reference and SoundID VoiceAI software packages until 21 September 2025.
VSL's entry-level offering has just been renamed to Synchron Prime Orchestra, and is now available to purchase in six individual sections as well as a complete bundle.
Designed with immersive audio in mind, the Symphony Studio is also a top‑class all‑round audio interface.
Bitwig’s first hardware product takes a characteristically individual approach to audio interfacing.
This unusual‑looking microphone is designed specifically for Decca Tree arrays.
Fifty years after Don Buchla first released his portable electronic music studio, is the world finally ready for the Music Easel?
Expressive E’s trademark physical modelling paired with MPE control delivers an extremely playable instrument.
Not only does this compact pedal offer convolution reverb — it can also capture impulses from your hardware 'verbs or room mics.
American‑born producer, engineer and mixer Dave Sardy has worked with household names including Bush, Johnny Cash, Oasis and The Who. A favourite sound from his impressive discography is the guitar drone on ‘(Get Off Your) High Horse Lady’ from Oasis’ 2008 album Dig Out Your Soul.
Recording a band live in the room is always a challenge — especially when it’s led by a jazz legend who switches instruments without warning!
Digital modelling has become so powerful that you might think there wasn’t much mileage left in the idea of analogue emulation. If you can accurately mimic some piece of vintage gear in a few lines of code, why bother developing and building complex analogue circuits to do the same thing?
Stem Splitter is an amazing feat of technology, but is it actually useful? The answer is a resounding "Yes!"
Built entirely from percussion sounds, but not for percussion, Dream Kit: Zenith is a synth like no other.
IK Multimedia’s Prism Reverb is a creative reverb that IK claim goes “beyond shimmer” to deliver “a new dimension of sound”. A bold claim, so let’s see how it stacks up...
Strymon’s Cloudburst pedal won a lot of friends amongst those fans of ambient, shoegaze and cinematic‑style composing. Now it’s available as a plug‑in, which should make life a lot easier for many of them!