SOUND ON SOUND
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The Vocaster One and Vocaster two are podcast-focused interfaces from Focusrite equipped with Auto Gain and Loopback functionality.
Aston Microphones celebrate five years since the launch of the Spirit with a limited edition model.
Aki Mäkivirta, R&D Director at Genelec, talks to Sam Inglis about the latest developments in immersive audio, GLM measurement software and Aural ID technology.
Steinberg’s Padshop 2 can create much more than just pad sounds! We show you how...
Geoff Swan gave up a successful studio business to become an assistant engineer — a risk which paid off with Charli XCX’s number one album, Crash.
Blurring the boundaries between classical music and ambient electronica, Max Richter is one of the most prominent composers of his generation. As of now, he’s also a studio owner...
Working in immersive audio can be intimidating even for experienced professionals. Caroline Hilton’s team at Universal Music provide the help that mix engineers need to make that transition.
Does it matter how you deliver power to your pedalboard?
Composers Michelle Birsky and Kevin Henthorn speak to us from their studio space in Los Angeles...
Every serious studio can make use of a high‑quality pedalboard, but putting one together that’s truly versatile requires a plan...
What can audio equipment manufacturers do to minimise their impact on the environment? We look for answers in the forests of Finland.
When I started my musical career in 1968, playing live was all there was. My first band Uriel lived for the moment when...
DP's ProVerb offers an easy way to experiment with guitar amp impulse responses.
The idea of paying to ‘own’ software has always been problematic. What exactly is it that you possess?
We show you how to get started in the brave new world of Dolby Atmos, using Logic Pro.
When it comes to history, there are typically two ways of looking at a subject. One is to examine it from an emotional...
PlayScore 2 is an iOS and Android app that performs OMR (optical music recognition) via a device’s camera or graphics‑type file import.
We put UVI Falcon to work as a drum replacement tool.
The waveform of an audio file looks bizarre when I load it in Adobe Audition, with a curious displacement of the audio...
I have a Tram TR50 lavalier mic with a very low output level. I was thinking about getting an inline gain booster for it, but someone told me that this kind of device was not appropriate for lav mics...