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We’re used to hearing rock albums reworked by electronic producers — but Alanis Morissette chose to do things the other way around...

iTrack Solo is Focusrite's first audio interface designed for use with iOS devices, although it can also be used with a computer via its USB 2 connection.

With the advent of Lion and Mountain Lion, the way we save and manage documents is changing. But what does this mean for studio musicians?

Audient’s modern classic is now available in a smaller format — but there’s nothing cut-down about the sound!

This “portable production system” certainly looks the part, but does its performance measure up to its dramatic styling?

What could be better than a Bettermaker? A Bettermaker made better, of course...

Mainstream PC builders Chillblast have made an impressive debut in the music computer market.

The Nord C2D expands on the success of its predecessor with an improved Hammond emulation and the addition, for the first time, of real drawbars.

Cornell are well known for their boutique guitar amps, but they've come up with a new twist...

Find out how to build a natural-sounding acoustic drum kit in Cubase’s Groove Agent One.

Many people place their monitors on a desktop, but they’re not usually designed to be used in this way — until now...

Nvelope 500 can be used either as a full-band or a two-band processor.

Eve are a very new name in studio monitoring but, as this active nearfield model proves, they’ve got a wealth of experience behind them...

The A16 Ultra MkII can add 16 channels of line-level I/O to any audio interface that features MADI or dual-ADAT ports — all in the space of a 1U box and for a bargain price!

With the M902 already lauded as one of the best high-end headphone amps, what could Grace do to make it better?

With 44 million TV viewers and a 10,000-strong live audience, the Grammys are one show that you really don’t want to screw up...

Speaker stands actually perform multiple functions, only one of which is putting your speaker in the right place.

Jeff Bhasker doesn’t usually mix his own productions or work with indie-rock bands. With Fun, he did both — and created a worldwide hit.

Editor In Chief, Paul White questions vintage gear plug-ins.