SOUND ON SOUND
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Can Studiomaster’s Vocal Management System deliver everything you need for studio-like vocals in a single unit?
• Ed Sheeran 'The A Team' • The Wanted 'Glad You Came' • Jason Aldean 'Dirt Road Anthem' • Caro Emerald 'A Night Like This'
Test plots to accompany the article.
The Elastik engine is at the heart of Ueberschall’s many sample libraries — and now they’ve stretched it a bit further with the release of V2...
Ueberschall's Urban sample pack targets the mainstream end of the genre, and is ideal for those wanting an, er, urban edge to...
Matt Houghton gets his hands on this impressive little processor.
Synth, organ, piano: the Nord Stage 2 does it all, and now even lets you load and play your own samples. Is this the best Stage yet?
Apogee's Jam is an audio interface designed to connect a guitar to an iPad, iPhone or Mac. Unlike most such devices, which...
Following the modus operandi of offering very focused and specific sample libraries, Sonokinetic have turned their attention...
Carl Cox’s latest album is available only to those who purchase a uniquely coded USB pen drive. Is this an idea that will turn the tide against file‑sharing?
Fifty years ago, Wayne Moss created a studio in his Nashville garage. And while big-money, purpose-built complexes have come and gone, Cinderella Sound still thrives today.
Elton John’s Goodbye Yellow Brick Road has proved to be one of his most popular and enduring works. The man at the controls, David Hentschel, tells us how it came to be.
The creation of Beyoncé’s album 4 involved 10 studios and almost 20 producers. The one constant, apart from the singer herself, was recording engineer DJ Swivel.
