SOUND ON SOUND
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Behringer's rack-friendly versions of their V-Amp 2 and Bass V-Amp add extra connection flexibility and rugged 2U hardware.
These two affordable problem-solvers facilitate digital interfacing and mixing in the home/project studio.
A range of affordable third-rack units designed to cover a variety of studio tasks without compromising on quality.
Can you expect decent project-studio performance from monitors costing under £300? Let's find out...
• Vox AmPlug modelling headphone amp • Soundtech LightSnake audio interface cable
Summit Audio's high-end designs are known for their quality and longevity — so is their new compressor a classic in the making?
ART aim to prove that its better by tube, packing eight valve preamps into a Firewire interface.
A heavy-duty valve preamp with variable input impedance, a unique slew-rate control, and a sublime sound.
Buzz Audio's MA2.2 preamp made an excellent impression a year ago, but does its new little brother continue in the family tradition?
RME's latest PCI soundcard is their first to support 192kHz sample rates, and offers a different balance of features compared with their existing Hammerfall cards.
KRK aim at the market for top-quality monitoring with these heavyweight new contenders.
Synthesizer, USB audio interface, MIDI controller — Novation's Xiosynth does it all, and at a very reasonable price...
The new flagship of the Mindprint range provides a powerful combination of preamp, EQ and valve dynamics. Can it possibly sound as good as it looks?
This ground-breaking new tube mic design can run directly from phantom power. But how does it sound?
With a versatile range of features and exceptional sound quality, AMS Neve's latest piece of outboard technology manages to be more than the sum of its parts.
Phonic's diminutive Firewire audio interface is extremely affordable and it can record at 24-bit/96kHz. Is it too good to be true?