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Whats best: hardware or software? Analogue or digital? Most studio tools have their strengths, but how best do you combine hardware and software in a modern project studio?

Korg's newest workstation heavyweight boasts 32 recording tracks, a powerful 44:12:2 mixer, a programmable drum machine, and up to 11 simultaneous effects — all for under £1000. Read our hands-on report...

Aphex update their famous Aural Exciter and Big Bottom processes for the 21st century.

Though still a small name in the crowded UK mixer market, Phonic are gaining a reputation for building affordable desks with lots of features. Shirley Gray test-drives their latest console, a four-buss model with studio and live applications.

Korg really know what they're doing when it comes to workstations, and their new one has been eagerly anticipated. Meet the Kronos in our world exclusive review...

Digidesign may be better known for Pro Tools, but the RM-series speakers are every bit as 'pro' as their heritage suggests.

Eight top-class preamps priced within reach of the serious project studio...

The price war in the budget condenser mic market gets even more fierce with the launch of this range of large-diaphragm models.

Prefer a Mackie compact mixer with faders? then the 1402VLZ could be just what you're looking for. Paul White checks it out.

Inquisitor-General Paul White puts Samson on the rack, but finds few guilty secrets.

Creating a digitally modelled piano is a fantastically difficult thing to do, but that hasnt deterred Roland... Introducing the V-Piano — the worlds first hardware modelling piano.

If you put together a classical musician turned mic manufacturer, and analogue audio legend Mr Rupert Neve, youd expect the outcome to be something rather special — and it is.

This new master clock generator from Mutec can transmit a bewildering array of clock signals at many different rates simultaneously. Does your studio need one?

Yamaha's newest powered monitors deliver a solid and detailed performance, even at high playback levels.

In recent years, samplers have become almost exclusively rackmount devices, widely used as production workhorses, but less so by the gigging musician. With the release of their first keyboard sampler in several years, Emu are hoping to change all that. Paul Wiffen heralds the return of the performer's sampler.

A combined sub-harmonic synthesizer and high-frequency psychoacoustic enhancer for live and studio use.

Audio interface, control surface, monitor controller — the Alesis Master Control does it all. Could it be the perfect companion to your DAW?

We turn a less-than-ideal square rented room into a workable recording and mixing space.

Best known in the microphone world for their high-quality dynamic mics, Electrovoice are now hoping to raise their profile as a manufacturer of capacitor models with the release of three additions to their RE range. Paul White listens in.