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Can you really buy a useful audio interface for £39$49?

We put Sony’s classy ‘hi‑res’ instrument mics to the test.

Study photos of recording sessions from the ‘60s and ‘70s, and you’ll often look in vain for a microphone shockmount.


The Dbx Di1 direct injection box is available now in the UK thanks to distributor Sound Technology...

Is Roland’s new flagship TD‑50KV2 the best electronic drum kit you can buy?

The new flagship of ADAM's T‑series offers serious bass extension even for those with limited budgets.

Throughout his illustrious career, Rupert Neve continued to refine the diode‑bridge compressor design he first created over half a century ago.

RME deliver affordable and reliable Audio over IP with two new boxes.



Trident’s celebrated EQ is now available as a 500-series module, and what better to house it in than the company’s very own chassis?

Does Neumann's first standalone mic preamp live up to their enviable reputation?

In his July 2014 review of the original Grace Design m905, our Technical...


Affordable, reliable and unexpectedly small, Beyer’s ribbon mics have been studio staples since the mid‑’60s.

The new Classic range from Danish company Remic aims to offer high‑end performance at an attractive price.

I recently played a gig where I had a terrible sound and I don't understand why. I have tried to build a bullet-...

Jason from Eleven Dimensions — US distributor of ESI — shows us the new ESI U22 XT, a fully...