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Can you record and produce entirely on your iPad? Let’s examine the ins and outs...
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Can you record and produce entirely on your iPad? Let’s examine the ins and outs...


Derek Johnson finds Tascam's dual DAT deck, the first ever, is at least twice the fun...

The Mackie Satellite is an audio interface with a unique two-piece design — but is it genius or gimmickry?

Audio Technica have put two different capsules into the same mic, giving you a choice of different sounds for different occasions.

Event build on their tried and tested design principles to offer two new sets of affordable active monitors.

This cost-effective four-channel microphone preamp with flexible powering options is well-suited to location recording.



The biggest Blues in the Blue Sky Range aim to be the best — and they don't disappoint.

Prism Sound's latest interface looks set to dwarf even their legendary Orpheus...

With the new Si Performer range, for the first time ever you can control lighting and sound from the same desk. But what's it like to use in practice?

The Urei 1176 is one of those classic compressor-limiters that many boutique manufacturers are now trying to put their own spin on. What do Wes Audio bring to the party?


Anthony Demaria’s limiter is based on a classic Bill Putnam valve design — but does it live up to its illustrious heritage?

This mic preamp and processor is about as flexible a device as you could hope for without taking the modular route — and all in the space of a 2U rack.

Building to a price inevitably entails compromises. The art is in choosing the right ones...

Can Chandler’s resurrection of one of the most revered preamps of all time help you get that classic Abbey Road sound?

In the D5, Equator have employed the same innovative technology they use in their premium models — but at a remarkably low price.

Having reinvented the 500-series rack with their Workhorse, Radial are now offering a smaller, more portable version...