SOUND ON SOUND
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Monitor mixing is riddled with compromises, but Allen & Heath hope to change all that with their intuitive ME1 personal foldback mixer.
Roland have condensed their considerable synthesizer workstation expertise into a single, affordable instrument.
If you’ve found PA systems fiddly and time-consuming to set up, perhaps the HK Soundcaddy One is right for you.
Monitor controllers can offer a handy solution to monitor level control in the mixer-less studio. SM Pro Audio's M-Patch 2 offers a whole lot more...
Tobias Lindell's latest range aims to deliver pro-quality outboard processing at a price that's within reach of the home studio masses.
The latest addition to RME's OctaMic range of multi-channel preamps is designed to interface with digital recording systems of all stripes.
This new infinite-baffle 2.1 monitoring system incorporates some unusual technology, including cabinets cast from aluminium-zinc alloy. But do these innovations translate into a cutting-edge sound?
No expense has been spared in the design of Lynx Studio Technology's latest soundcard, which adds 192kHz capability to remarkable sound quality, bringing it into real competition with high-end, stand-alone converter boxes.
M-Audio's latest foray into the mic market combines a striking retro look with the warmth of a valve and the versatility of switchable polar patterns.
Newmann (no, that's not a typo...) are a small British company aiming to make affordable high-quality mics with a vintage flavour. It's a laudable aim, but have they achieved it?
Mackie have updated their MR range of affordable powered speakers, endowing these Mk2 versions with new drivers and re‑voiced amplifiers. We put them to the test...
Can you really make a complex, DSP-packed mixer that even musicians with no engineering experience can use? Line 6 think they can...
Blue Sky have earned a strong reputation for their sealed-cabinet speakers, but in their latest model they’ve opted for a ported design. How do the newcomers compare with their infinite‑baffle cousins?
Line 6 were amongst the first to create realistic-sounding modelled guitar amps and effects. Does their latest offering keep them at the front of the pack?
Though they're usually not specifically designed for recording, miniature mics can be real problem solvers in certain situations.
This DJ mixer boasts powerful effects and BPM-driven MIDI control software. Wearing the Trousers, Paul Farrer finds out more...
Can you really mix a live show without any physical controls? If you have a DL1608 and an Apple iPad, it seems you can...
Akai's MPC has been with us for 20 years now — an incredibly long time in music production. So is the latest addition to this venerable range, the MPC5000, a worthy bearer of its standard?
I'm looking for something to record my latest project with. I currently own an Apple iMac running OS X Tiger, and the main program I use for recording is Apple's own Soundtrack. I'm thinking of upgrading at some point to Logic Pro 8, but for the moment I'm with Soundtrack. I have eight Audio Technica mics for the drum kit and I'm really looking to record through a mixer into Soundtrack (Logic in the future). However, I still want to be in control of individual mic levels after I've recorded within Soundtrack or Logic, even having those individual mics on different tracks.