SOUND ON SOUND
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The Doc proffers diagnosis and suitable cures for another batch of reader-submitted meisterwerks.
Until now, if you wanted multi-channel or high-resolution audio I/O in a hot-swappable external interface, Firewire was the only way to go. Edirol's UA1000 offers an alternative, using the Hi-Speed USB 2.0 protocol that is standard on nearly all new PCs.
These affordable active monitors from Fostex provide a tight and punchy sound, despite their compact dimensions.
Fruity Loops has built itself quite a cult following in dance music circles. The latest version comes with a new name, FL Studio, as well as some interesting new virtual instruments and proper audio recording features.
This useful digital router can handle 12 channels of S/PDIF or ADAT optical digital I/O with full MIDI control.
INTA Audio's music workstation boasts some of the latest PC technology, including hyperthreading, dual-channel DDR400 memory and Serial ATA, making it one of the fastest systems around.
These two stereo multi-effects boxes from Kurzweil bring the powerful processing of their flagship KSP8 more easily within reach of the home studio owner.
This new member of the Korg tribe offers synthesis, sequencing, drum programming, tons of real-time control plus genuine valves to light up your studio and your sound.
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Phase cancellation can play havoc with your sound if you're using multiple mics, or combining mic and DI signals. This clever little box offers a solution, providing powerful phase-alignment facilities which go far beyond those of most mixers and preamps.
When Jimmy Page decided to mine a massive archive of decaying Led Zeppelin live footage for a DVD and double CD, the epic task of restoring, editing and mixing the audio went to rock specialist Kevin Shirley — who has gone on to help veteran metallers Iron Maiden return to the upper reaches of the charts.
Is the sound of your kick drum letting the rest of your mix down? If so, find out how to snatch victory from the jaws of defeat with this bass-drum processing workshop.
Many laptop PCs that bear a specific brand name are not in fact manufactured by the company in question — and that includes some specialist music PCs. But does this really matter to the musician?
PC paper specifications can vary so much that it's hard to know how one PC compares to another in terms of its performance with real-word audio apps. Hence the need for tests designed just for music PCs...
Over the last decade, Mouse On Mars have become one of the leading names in European electronic music. Their experimental approach brings together analogue and digital, lo-fi and hi-fi, real instruments and samples to create an organic-sounding whole.
DP 4.1 is here at last, with significant increases in stability and efficiency, as well as support for Apple's Audio Unit plug-in standard. So is Digital Performer finally ready for the big time in OS X?
RME's latest PCI soundcard is their first to support 192kHz sample rates, and offers a different balance of features compared with their existing Hammerfall cards.
Since Pro Tools 6, there's been some additions to the set of built-in plug-ins. This month we look at how to get the most out of the D-Verb reverb.
I've noticed that many virtual analogue soft synths claim to offer FM capabilities, and provide virtual analogue besides. Is there any advantage to the extra expense of something like FM7?
This impressive-looking instrument provides modelled classic organ, piano and supporting timbres, and is designed to appeal to keyboard players looking for an all-round stage tool — though it could easily form the centrepiece of a home setup too.