SOUND ON SOUND
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Last month, Paul Wiffen explained how to get MIDI into and out of your new-style Macintosh. This month, he turns his attention to the tougher problem of audio...
I own an Emu Audio Production Studio PCI soundcard system, which I use with my 600MHz Pentium III PC. I used to own a...
I am interested in purchasing a vocoder plug‑in. I am currently running Digital Performer v2.7 on a 450MHz...
I'm looking for a decent microphone for my small studio, which is based around a Korg D8 eight‑track digital...
I am thinking about upgrading the audio setup of my computer system (G3/300 tower with 92Mb RAM). I am looking at the MOTU...
I have been studying Windows 2000, with great interest, as I have been evaluating the pros and cons of an upgrade. Do you...
I have been recording tracks on my computer's hard disk for two years, but I now realise that the results are less than...
I have been doing some research on the Yamaha QY700 sequencer and it seems like a great product which would meet most of...
Your PC can be a hugely powerful tool — but if it's not set up properly, the number of hoops you have to jump through before you actually get to do any recording can be intimidating. Martin Walker explains how to smooth the path.
Writing the words to songs is often thought of as a process of pure intuition, but there's a lot more to it than that. In the first part of a new series, Sam Inglis suggests an alternative way of going about it.
Martin Walker finds out what's new in Windows Millennium edition and explores the latest version of Native Instruments' Pro-five VST Instrument, renamed the Pro52.
VST Instruments can create a huge variety of sounds from the comfort of your MIDI + Audio sequencer, but can also be asource of confusion for many computer users. Martin Walker answers the most common questions, and provides advice about automation, timing, and sound quality.
Paul White cruises down memory lane in style, with the bargain-priced M-Tron Mellotron soundalike VST Instrument plug-in.
Paul White looks at the latest addition to Mackie's compact mixer range.
Bucking the trend for elaborate 'virtual studio' graphic interfaces and bloated feature sets, Making Waves is designed to allow you to get into making music quickly and straightforwardly, on even a modestly specified PC. John Walden puts it through its paces.
Nicholas Rowland tries out the new features in MOTU's ever-evolving flagship Macintosh sequencing package.
Can an Englishman's home be both his castle and his studio — or is it better to keep business and pleasure apart? Jay Kay of Jamiroquai clearly feels that building his own facility has paid off. Sue Sillitoe heads for his Chillington studio in Buckinghamshire to find out more...
Sound On Sound's May 2000 SAE/MPG competition offered readers the chance to win a recording session in a London studio with a top producer. Tom Flint talked to the lucky winners about the recording of their demo — and to producer Steve Levine, who took on the job of transforming it into a potential chart-topper.
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In the first part of a two-part series, Gordon Reid charts the rise of EMS and their creation of the world's first self-...