
The Sire Records Story
Fifty years after their first hit, the duo who discovered Blondie, the Ramones, Talking Heads and Madonna are still producing great new acts.
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Fifty years after their first hit, the duo who discovered Blondie, the Ramones, Talking Heads and Madonna are still producing great new acts.

Programmed classical and film music demands convincing use of sample-based instruments. But how do you achieve this? Our engineer explains, as he takes on this month’s remix...

Mixing the benefits of ribbon smoothness and condenser flexibility, Pearl show us that it really is hip to be, erm... rectangular.

Sonar X1 screensets dynamically adapt to your project as you work. Find out why this matters, and how you can take advantage of it.

Under the guidance of Rick Rubin, Black Sabbath returned to their roots. Mixed by Andrew Scheps, the resulting album topped charts worldwide.

There are lots of strange noises you can make with acoustic instruments beyond playing them normally, and Ultimate Sound Bank...

This suite of sampling, effects and live performance software, with a bundled 65GB library, is feature-rich but also up against heavy competition. Can it make its mark?

Cinematix Vol. 1: 3* • James Johnson Spektral Minimalism: 5* • Robert Rich Ambient Atmospheres & Rhythms: 4* • Numina Emotional Peak Sounds For Cinema: 5* • Orchestral Series 3: Cinematic: 4*

I am hoping to raise funds to purchase equipment for a home recording studio. With this I then want to write songs...

Coldplay's recent album Viva La Vida was one of the most high-profile releases of the year, and an impressive showcase for Michael Brauer's unique approach to mixing.

Save time and make Digital Performer work just how you like it, with easy custom templates and preferences tweaks.


***** Following their excellent SAM Horns title comes a Giga set dedicated to a three-trombone section, augmented by a fruity solo bass trombone.

Business End enables you to have your demo reviewed by a panel of producers, songwriters, musicians and managers. This month's industry panel is drawn from the MPG (Music Producer's Guild).


Recording Sinéad O’Connor’s breakthrough hit was easy in some ways, but difficult in others — for example, all compression was forbidden...

Rising from the mist of old England comes the successor to Spitfire’s flagship orchestral library.

This month, we turn Production Lines over to the classical fraternity, with some words from classical producer Joanna Leach.

Nashville-based Miktek shouldn't be short of chances to test their mics — but how did they fare in their first ever SOS review?

Sound On Sound are once again the Media Sponsors of the Sound Recording Technology sector of the London International...