SOUND ON SOUND
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With systems getting ever cheaper, there's never been a better time to explore personal monitor mixing. Here's our selection of current options!
Top studio monitor brands will be demoing their products at GearFest UK.
The latest arrival to the SoundID Reference line-up aims to take things a step further for headphone users, and makes it possible for users to capture any room and have it recreated in their headphones.
Want to hear ‘more me’? Not a problem...
The latest addition to the Xvive line-up is a compact and convenient system that combines a USB audio interface with a personal monitoring mixer system for up to eight users.
A new free studio plug-in designed to bring the sound and spatial realism of a professional loudspeaker monitoring environment to the company's headphones.
Sony aren’t the first company to promise believable surround sound on headphones. But are they the first to deliver it?
If controlling your own foldback mix appeals but you’d rather not invest in a digital setup, the PX System might be just what you need.
So far, monitor and headphone calibration systems have targeted music makers exclusively. Sonarworks’ SoundID aims to solve the problem of mix translation from the consumer end too.
Monitor mixing is riddled with compromises, but Allen & Heath hope to change all that with their intuitive ME1 personal foldback mixer.
With the Hear Back Octo, you can add personal foldback mixing functionality to almost any live–sound or studio setup.
The Realiser A8 is claimed to be able to capture the sound of any monitoring environment in the world and perfectly reproduce it through headphones. Could it be time to sell your speakers?
Ultimate Ears Pro have collaborated with Gruv Gear to produce both a compact backpack and a carry case for their in-ear monitoring systems.
The time delay experienced between a sound or control signal being generated and it being auditioned or taking effect, measured in seconds. (cf. Delay) Each 1ms of latency = approximately being 1 foot away from your speakers, which means with headphones/IEMs (In-ear Monitors) you might get away with slightly higher audio interface latency than with speakers/wedges. If your computer can handle it, switching to higher sample rates like 96kHz when recording can reduce latency.
sE Electronics' new shotgun mic has been designed to deliver pristine, directional sound capture across a range of applications including live stages, broadcast booths, film sets and podcast studios.
This pedalboard‑friendly DI interface has been designed specifically for interfacing amp modellers and electronic instruments with PA and recording systems.
The LV1 Classic combines 64 stereo channels, 44 stereo buses and 16 Waves Signature Preamps into a robust yet compact console.
Space Replicator comes loaded with a set of virtual acoustic spaces, and uses binaural rendering to provide headphone users with realistic-sounding room emulations.
Xvive’s ingenious modular interface puts foldback in the hands of the performers.