SOUND ON SOUND
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Before plates and springs, the great studios of the ’50s and ’60s created magical ambiences through a mix of science and inspired guesswork.
Audified's new ToneKnob Ultimate Bundle includes saturation, compression, modulation, ambient reverb, guitar-amp modelling and de‑essing tools, all of which can be controlled using a single knob.
Said to be one of Sonora Cinematic's most unconventional offerings to date, Softstruck takes the concept behind the ‘felt piano’ sound and applies it to the guitar.
Meltone aims to combine the sought-after sound of classic analogue instruments with the expressive possibilities offered by MPE (MIDI Polyphonic Expression.
Polyend take it to the floor with a new pedal‑based drum machine.
In a world of retro homages, it’s always refreshing when a manufacturer looks to do something a little different...
Not everyone wants their compressors to sound the same. But once you’ve set yours up how you like them, why change anything?
Not everyone can afford a 7.1.4 Neumann speaker setup, but perhaps RIME is the next best thing?
Reason Studios have reintroduced their classic beat‑slicing software — and it’s free!
Born in Cairo, Egypt, Nadah El Shazly is now based in Montreal. Her recent album Laini Tani blends Egyptian improvised music, manipulated vocals, deft electronic production and acoustic percussion.
This quirky 500‑series module is designed for colour and attitude rather than cleanliness.
Whether it’s detailed definition you want or dirty distortion, this new take on a classic valve preamp has you covered.
The latest addition to the Oberheim line-up packs all of the sounds and features of their TEO-5 polysynth into a desktop-based enclosure that’s less than half the size.
HEDD’s new A‑Core range sees the company return to making all‑analogue monitors — and the results are impressive.
Dreadbox are aiming high with the ambitious Artemis.
Our second instalment draws on the work of Alan Blumlein, to explain how we can audition and evaluate different stereo‑miking techniques.
The latest version of Tracktion’s DAW software has arrived, delivering some significant enhancements to clip launching, track automation and overall performance.
Leveraging the company’s expertise in modelling analogue equipment, Mantra promises to deliver the warmth and musicality associated with vintage hardware, but with the precision, control and reliability offered by modern, digital alternatives.
The new DAWproject file format promises straightforward project transfers between Cubasis and Cubase.
Part fuzz, part guitar synth, this quirky pedal was conceived with horror soundtracks in mind. But it’s not a one‑trick pony...