SOUND ON SOUND
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You’d think a digital effect processor’s brilliance might have been eclipsed somewhat in the last decade, but Eventide have made significant software changes that keep this one fresh, relevant and desirable.
This year’s Glastonbury Festival boasted a recording studio built of straw — complete with 24‑track tape and grand piano. SOS followed Joe Leach’s project all the way from blue-sky thinking to muddy reality.
Having upgraded their D16 to the D1600, Korg have now revamped the 12-track D12 to the D1200. So where does Korg's latest offering stand in the competitive digital multitracker marketplace?
Are the acoustics of your studio letting down your music? Improving the sound of your room needn't cost much and pays dividends in better recordings and more transportable mixes. Read on for the SOS guide.
Last year Mackie impressed us with their HR Mk2 series of studio monitors, but they've now introduced new models at roughly half the price. Surely this means there are compromises?
The mid-priced studio monitor market is competitive. So what sets KRK's new offerings apart from the crowd?
Legendary songwriter and Kinks frontman Ray Davies got his first taste of recording in 1964, and hes never looked back.
These monitors may be small, but they punch well above their weight.
Martin Walker tries out a good-value, British-built studio power amp.
The successor to the MRS1044 has more of everything - tracks, inputs, sounds - at a very similar price. But with new fierce competition, is there still room for a Zoom?
In 2001, Propellerheads Reason broke new ground by virtualising every element of the classic analogue synth studio. Six years on, is the original still the best?
Are the Amethysts a bit of a jewel in the studio, or only semi-precious? We find out.
Just as spinal Tap have amplifiers that go up to 11, Audio Technica have six-packs that go up to seven — as Paul White discovers after counting them twice!
Loudspeakers are traditionally designed for either monitor or hi-fi applications, but is there actually any difference? And just how suitable are hi-fi speakers for nearfield monitoring in the project studio? In Part 1 this month, we examine measured responses.
Synapse Audio's Orion is now supplied platinum-coated and, with only a modest price rise over the Pro version, is also available in a cardboard box.
The success story that is the Reason software studio continues to unfold with the release of v2.5, which adds a slew of sophisticated effects and processing devices — all free to registered users.