SOUND ON SOUND
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Cinematic Studio turn their sampling expertise towards a quartet of solo strings.
How do you know which audio interfaces will work with which studio computers? We cut through the connector confusion!
Cubase’s MixConsole has all sorts of handy features to help you establish an efficient mix workflow.
Based on an obscure 1950s valve preamp, the DA2 offers a lot of character for a relatively low outlay.
Earthworks have long been renowned for their top-tier instrument mics, but their latest offering is aimed at capturing vocals.
Pairing EHX’s impressive ‘freeze’ technology with a multi-effects processor opens up a world of creative possibilities.
A new processor from a new developer promises limiting and transient control precisely targeted to the needs of an individual mix.
Designed for stage hands, road crew and those of us who have to lug our own gear to gigs, Gig Gloves aim to provide hand protection combined with flexibility and the ability to grip well.
Is Hammond’s XK-5 the best lightweight ‘clonewheel’ organ money can buy?
If a rare and expensive collection of analogue synthesizers continues to allude you, IK Multimedia have just the thing.
Keeping up with the Nashville music world means working fast — and few mix engineers work as fast as Billy Decker!
All loudspeakers, whether active monitors or guitar/bass amps, tend to exhibit cabinet vibrations. We test this new stand-alone isolating ‘puck’, designed to minimise unwanted colorations from structure-borne vibrations.
Go-to producer for Taylor Swift, Lorde and St. Vincent, Jack Antonoff has the rare ability to translate wild experimentation into record sales.
Although primarily a hi-fi brand, KEF have strong links to some classic monitor designs — and in this new compact speaker, it shows...
Korg’s new stage piano might just be the best you can buy...
If you make and record music using computers, as most of us do, you rely heavily on technology and have to come to terms with the fact that things can sometimes change more quickly than you might like.
Soundtoys’ new reverb might be little, but it has a big sound...
Composers need publishers. But are they there to help us, or help themselves?
We delve into the mysteries of granular synthesis with Max For Live’s Granulator II instrument.
Create, recall and control complex effects chains and routings with Logic’s Smart Controls and Track Stacks.