SOUND ON SOUND
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The K-Mix squeezes a mixer, an audio interface and a MIDI controller into one very tactile box.
Moog’s bovine bass synth just keeps getting better.
The Echo 2 certainly looks the part, with its contemporary touchscreen interface, but does it back up the style with substance?
Tascam's versatile US428 combines the duties of audio interface, preamp, MIDI interface and MIDI fader surface at an attractive price, and has generated a lot of interest from musicians. Derek Johnson & Debbie Poyser test it with the Mac, while John Walden reports on the PC situation.
Improve your PC's performance by taking the strain off your CPU.
The Arrow offers two-channel recording and Universal Audio’s celebrated plug-ins, all at the end of a Thunderbolt 3 connector.
It's been an interesting four years for Mac-based audio engineers and musicians since Apple acquired Emagic, so this month we take the opportunity to acknowledge the anniversary and consider what's changed over this time and what's still to come.
Since its SX reincarnation three years ago, Cubase has once again become one of the most flexible tools for writing music to picture. Let's investigate...
If you’re choosing a new audio interface or a new computer, what are the pros and cons of the many different connection protocols that are on offer?
Laney’s versatile Ironheart amps are impressive, but can you really get the same sound from a stomp box?
Loudness meters are invaluable at the mastering stage — but this one can also generate automated rough mixes in seconds.
This inexpensive program lets you add the advantages of pattern-based drum programming to your setup, without abanoning your full-blown sequencer. Brian Heywood gives it a battering...
SOS's Paul White has been fascinated by guitar synthesizers ever since he first encountered one and has owned or tested most models over the decades. Here's his story...
Pro Tools 12 makes radical improvements to the way inputs and outputs are handled, which benefit all users.
Martin Russ dishes up the latest Apple news, explains how to make your own aliases, and even casually prophesies the death of MIDI. But first, he sets the record straight concerning QuickTime v.2.0...
Now that Pro Tools 11 has been available for a while, is it living up to its promise?
IK Multimedia's UNO packs a surprisingly capable analogue monosynth into an attractively priced and eminently portable box.
Zoom reimagine the stand-alone multitracker for the DAW generation.
Sonarworks software has been widely lauded for its ability to correct the sound of headphones. Can it do the same for monitors?