SOUND ON SOUND
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Why are there so few women in record production and sound engineering? An audio technology graduate offers her view.
I've been searching to find a sensible answer to this question to no avail...
In Play, American dance producer Moby made one of the albums of 1999, which owed its critical recognition in no small part to the hit single 'Why Does My Heart Feel So Bad?'. Tom Flint talks to Moby to find out how the track was made.
Producer Simon Gogerly talks about the trend of worshipping vintage studio gear.
David Crosby’s latest album has gained much praise for its sonics. The man who tracked and mixed it offers SOS readers the inside story — with audio examples.
Love And War was not only a remarkable comeback for singer Tamar Braxton, but a breakthrough opportunity for engineer and mixer Mikey Donaldson.
The BBC should open its playlists to independent artists.
Paloma Faith’s new song ‘Only Love Can Hurt Like This’ has been recorded out of tune by about 50 cents. This means that unless you have a keyboard that can be detuned, you cannot play along! What would be the reason for doing this?
I want to add a Cuica drum part to a Latin jazz fusion piece and have a nice Cuica drum similar size to the one in this...
I'm a long time reader of Sound On Sound, and a studio owner. A colleague of mine recently discovered that the suite of...
Flying the flag for a distinctively British sound, and scoring some huge hits in the process, Cenzo Townshend is one of the UKs hottest mixers. He gives us the inside track on Florence and the Machines hit Youve Got The Love.
Paul Farrer reveals how he learned to stop upgrading and love the music.
I have a CAD Equitek mic that I bought second hand, and I love it. I hadn’t realised until I downloaded the manual that it also needs internal batteries to work properly! The manual says I should put rechargeable NiCad batteries in there...
Edd Butterworth and Jean‑Marcel Fricke are the joint helmsmen of the recently opened SchneidersKeller (an offshoot of Berlin’s venerable SchneidersLaden) situated on London's famous Denmark Street.
This highly impressive new large‑diaphragm mic brings a touch of Nordic noir to the studio.
Recording a band live in the room is always a challenge — especially when it’s led by a jazz legend who switches instruments without warning!
With ARA2 compatibility, this clever software slots right into your DAW workflow and promises to take much of the pain and time out of getting your vocals mix-ready.
Bethia Beadman has toured with Courtney Love and worked on Nigel Godrich’s ‘From The Basement’ sessions with guests including Radiohead, PJ Harvey, and The Stooges. She's also a formidable artist in her own right, with the excellent Tchad Blake‑mixed track ‘Kitten Feel’ just released as we go to press.