
Ogre Tubeholic Overdrive
Ogre’s Tubeholic pedal overdrive contains neither tubes nor, as far as I can tell, any alcohol. It does, however, feature 440g of barking-mad cast metal as its case.
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Ogre’s Tubeholic pedal overdrive contains neither tubes nor, as far as I can tell, any alcohol. It does, however, feature 440g of barking-mad cast metal as its case.
Prism Sound’s Lyra brings the quality of their Orpheus and Titan interfaces within reach of lesser mortals.
I’m working on an acoustic track and would like my vocalist to sing backing vocals in a more ‘breathy’ way. Are you able to offer some vocal coaching tips that I can ask him to try?
I have three laptops in the house, all of which produce various sparks and flashes at the mains end when plugged into the wall. Can this be ‘right’ ?
In the May 2015 Mix Rescue article, Mike Senior talks about how he bounced out a mix any number of times to compare it to his references. I understand the purpose of referencing, but what I don’t understand is why he bounced out the mix.
I’ve put a lot of effort into creating and editing a recording of a solo mandolin. Although I like the final result a lot, on reflection the tone seems too trebly and cold.
I’m an aspiring electronic musician, and am hoping to create some stuff with real shaking low-end impact, but the interaction between kick and bass still puzzles me.
As Reason has evolved from a compact synth rack into the incredibly powerful DAW it is today, its user interface has necessarily grown in size and complexity. Learn how to customise and navigate Reason’s user interface.
Engineer Richard King has brought the art of ensemble recording to new heights in both classical and folk/pop spheres.
With its familiar interface and enormous potential for expressive control, is the ROLI Seaboard the future of the keyboard?
The German manufacturer RTW has a long history in the broadcast sector dating back to 1965, mostly in the areas of specialist metering systems and equipment interfaces.
These files accompany the Sample Shop articles in the September 2015 issue.
Audio files to accompany the article.
A major update to PreSonus’s cross–platform DAW sees Studio One take some popular feature concepts to new levels.
Speed up your work by tailoring Sonar’s look and feel.
Tony Maimone laid the foundations for what has become one of New York’s most interesting recording venues.
This month's selection includes: Philip George, OMI, Wiz Khalifa, James Bay, Sia and the Classix Mix - Shania Twain ‘You’re Still The One’.
Harrison’s Mixbus offers large–format console sound at a budget price, and the addition of MIDI and third–party plug–in support broaden its appeal considerably.
Founded in 1945 by EMI producer Walter Legge, London’s Philharmonia Orchestra is world-renowned for its musical achievements, but what you may not know is that it also has an impressive web site which provides many tools that may be of interest to recording musicians.