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Windows‑based musicians have long been asking for better support at the operating system level — and it seems to be very much on its way, with native low‑latency ASIO drivers and full support for MIDI 2.0. We reached out to Microsoft to find out more.
Virtuoso pianist Rogét Chahayed has found a unique niche as a classically trained hip‑hop producer.
With polyphonic aftertouch, MPE and MIDI 2.0, Korg’s Keystage has a lot to offer.
Play All Day’s debut outing takes a novel approaching to hands‑on hardware control.
Is the fear of 'selling out' still valid in today's professional music industry?
The Echo Cinematic can make a weedy melody line sound huge, reanimate percussion lines and weaponise chords in fabulously groovy ways.
To mark the company’s 100th anniversary, Shure have teamed up with Black Lion Audio and Korneff Audio to reissue the infamous ‘secret weapon’ that powers many of Tchad Blake’s greatest recordings.
EastWest take all the famous synth sounds from the hits of the ’80s and put them in one virtual instrument.
Melbourne continue to push the (motorised) envelope with their latest polysynth.
All mix engineers need technical skills — but what’s most important is our ability to bring out the emotion in the music.
PWM’s sophomore outing is an intriguing combination of old and new, co-designed by the late Chris Huggett.
The biggest hit of the decade so far took Shaboozey and his team half an hour to write — and weeks to perfect.
Electronic music pioneer and composer Suzanne Ciani discusses her career highlights in conversation with William Stokes.
‘One keyboard to rule them all’ is very much the order of the day with Arturia’s 3rd generation KeyLab.
The SOS team pick their favourite hardware and software from the past 12 months.
Can I somehow record individual tracks into my DAW using the UA Volt 1, or should I mix on the Tascam?
The original Digitakt was pretty good, so how about an updated version with more of... everything!
Songwriter and producer Charlie Handsome has drawn on his huge array of influences to reinvent modern country music with Morgan Wallen and Post Malone.
Why choose between rock and pop — when, like Andrew Watt, you can excel at both?