SOUND ON SOUND
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Knowing how to interpret and act on Cubase's level meters can help you to make better mixes.
Isn't it refreshing when a manufacturer cuts out the frills and just delivers something that's robust and quietly gets on with the job, leaving you free to focus on more important things? Matt Houghton investigates the latest offering from DAV Electronics.
Distortion, filth, grime and grit abound in EastWests new library. Rubber gloves at the ready, we go in search of splendour in the dirt.
CD technology? Eight-note polyphony? Things were getting pretty exciting back in 1985.
SOS has been forward-thinking for 25 years, so it's time we had a look back at the early days...
Despite self-imposed limitations, the multitrack sessions for Arcade Fire's latest album grew to epic proportions. Craig Silvey nevertheless mixed it on a vintage desk with no automation.
John Walden examines the new collection of 62 construction kits from BFA.
The man behind the biggest UK single of the year — 'Pass Out' by Tinie Tempah — is 21-year-old musical prodigy and maverick Labrinth.
Paul White offers his take on why SOS is as relevant today as it was back in 1985.
Join us, as we take Thermionics new bird for a test flight...
DJs can really get clever with Ableton Live. We explain how.
Create a dubstep bass sound using the ES2 synthesizer and Logic's effects.
Audio files to accompany the article.
Lexicons flagship PCM Native Reverb bundle is highly desirable, but also costly. The cut-down LXP Native Reverb offers a more affordable, yet still powerful, alternative.
If you want Mellotron sounds in a rackmountable unit, theres only one option: introducing the Memotron Rack...
With a bit of hard work to counter unwanted masking effects and muddiness, everything becomes clear...
Audio files to accompany the article.
Its lovely to be appreciated — up to a point...
Sam Inglis reviews the latest pocket-size stereo recorder from Olympus.