SOUND ON SOUND
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If you ever intend to make music to complement visuals, youll need to know the basics of working with video content in Logic Pro.
In SOUND ON SOUND September 2010s printed magazine (and digital editions), we introduced some innovative methods of recording and processing impulse responses. But if you know how to use a program like MATLAB, you can even generate them from scratch.
No matter how brilliant your music is, TV and film producers will never license it if they cant find it...
Acoustica's affordable DAW has acquired some significant new features, including video support, score editing and a fully fledged mixer. But has it retained its trademark ease of use?
Singer-songwriter Joe Murphy has been crafting tunes for a few years, but had hit a wall when it came to fine-tuning the arrangement and mix of ‘Casting Shadows’. This month, we embellish some repetitive drums by adding percussion, and get busy with the send effects.
These audio files accompany the Mix Rescue article.
An electric guitar's tone is complex, but something that contributes to it is the electrical loading on the pickups. Guitars...
Given the title, there are no prizes for guessing that the recordings for this sample library were made in Nashville (well,...
Hot on the heels of the impressive Genesis cardioid valve mic, MXL have unveiled their flagship multi-pattern model, the Revelation. Does it live up to its name?
These audio files accompany the SOS September 2010 review of the MXL Revelation microphone.
Some broadcasters will stop at nothing to save money, even if that means blatantly ripping off composers. So always look at the small print before you leap.
With official support for USB 3 sorely lacking, we'll just have to make the most of its predecessor.
When you need to really open up your mix, it's time to employ some classic stereo widening tricks. We show you how to implement them in Pro Tools.
I've worked with tape and ADAT in the past, but have been out of recording for a few years. I'm just getting back into it and...
I want to get a pair of active monitors to do a bit of home recording and try my hand at producing. I'm not after professional...
Do you have any pointers on making a great sub‑bass synth sound to underpin bass lines? It seems to be one of those things...
I'm curious to know how common the use of re-amping is amongst producers, engineers and composers. There are so many...
To enable very quiet band rehearsals, I am thinking of feeding the whole band setup into my Behringer RX1602 Eurorack Pro...
Sometimes, a dose of old-fashioned good engineering delivers something well worth listening to...