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Jeff Bhasker doesn’t usually mix his own productions or work with indie-rock bands. With Fun, he did both — and created a worldwide hit.
Keyboardtech is the latest school in the UK-based Tech Music group of music performance colleges, which comprises...
We check out: Amps & Pickups 2 **** • Post-Estonia Grand Piano **** • Brush Artistry **** • Distoteque **** • Tower Of Funk *** • Post Orchestral Instruments ***
I tested CME’s first Xkey 25-note compact keyboard for our March 2014 issue. Now they've added an extra octave and released the Xkey37.
Since the new MacBook Pro promises to be such a capable little beast, we thought we’d pit it against its older, desktop‑dwelling brother, the iMac.
Most of us are familiar with transient processors that can shape the attack and release characteristics of percussive sounds — but Oxford Envolution goes much further.
Embertone are a US sound company founded in 2012 by composers Alex Davis and Jonathan Churchill. The two self-professed ‘sample-library nerds’.
We get to grips with Reason 9’s new Player modules.
Does Roland's latest contender have what it takes to regain the MIDI Keyboard Controller championship? Gordon Reid is your ringside commentator...
Is the latest iMac ‘Ultimate’ the one to unseat the Mac Pro as the obvious choice for the studio?
Propellerhead’s latest Reason update adds features you never knew you wanted — but which you might find indispensible.
CME go minimal with their new controller range. But is less really more?
TEDx Aldeburgh, 6th November 2010
Aldeburgh Music, located deep in the Suffolk (UK) countryside in...
The Jupiter 8 looms large in synthesizer history, and any synth bearing the name has a lot to live up to. Is the Jupiter 80 destined for the same legendary status? Find out in our world‑exclusive review...
Pitch-correction software has lots of uses besides putting vocals in tune! We uncover the creative roles to which today’s pitch processors can be employed.
With our racks about to get even more densely populated by Rack Extensions, we may need strategies for keeping on top of the sprawl...
Only big studios have the space, skills and equipment to track a full big band, right? Not necessarily...