SOUND ON SOUND
Paul White initially trained in electronics at The Royal Radar Establishment in Malvern then went on to work with Malvern Instruments, a company specialising in laser analysis equipment, before moving into technical writing.
He joined the Sound On Sound team in 1991 where he became Editor In Chief, a position he held for many years before becoming Executive Editor in 2020. Paul has written over 20 recording and music technology textbooks, the latest being The Producer’s Manual.
Having established his own multitrack home studio in the 1980s, he’s worked with many notable names including Bert Jansch and Gordon Giltrap. He’s played in various bands over the years and currently collaborates with Malvern musician Mark Soden, under the name of Cydonia Collective. Paul still performs live claiming that as he has suffered for his music he doesn’t see why everyone else shouldn’t too!
G-Sonique's Technol HN1 offers bread-and-butter techno sounds in an easy to use format and at a bargain price.
The AR1 is an algorithmic reverb supporting 64-bit VST and AU plug‑in formats on Mac and Windows.
Rating: ***** 5/5 Stars. This latest addition to the ever-expanding EZX expansion library comprises two of drummer Robby Ameen's Pearl custom drum kits, set up and tuned for recording Latin-flavoured rhythms.
Mackie's first ever studio microphone proves to be an affordable all-rounder.
Source Audio have managed to get the relationship between input envelope and filter response to feel very natural on this envelope-controlled filter.
Rating: **** 4/5 Stars. Spitfire's literature describes Entropy as delivering post-industrial soundscapes...
Welcome to Sound On Sound's regularly updated, indispensible explanations of technical terms from the fields of Recording, Audio Production, Music Technology, MIDI, Music Software, Audio Plug-ins, Mac and PC Computing, Live Sound, Acoustics, Electronics and more...
Creating your own shimmer reverb effects is easy, and gives you plenty of creative control.
Here's how to create a convincing double-tracking effect in Logic Pro X.
Remnant comprises two delay lines, from which a granular engine takes segments and processes them.