Drawing our mini-series to a close, we take you on a detailed tour of the mix and mastering stages of the Damnation’s Hammer album Unseen Planets, Deadly Spheres.
I’m using Ableton Live and bounced my last few finished tracks in the 32-bit float format. I’d rather not have too many different versions of the same tracks floating around, so is there a preferred word length for when I bounce files out for mastering?
Are cloud-based mastering services a threat to traditional mastering engineers, or just a cheap alternative for producers who can’t afford the real thing? It depends who you ask...
Multimedia’s T-Racks mastering suite is a modular program: basic core functionality is free, and users build up a collection of tasty processors by making in-app purchases from the company’s Custom Shop.
Spektakulatius: With last month’s mixes in the bag, our engineer was tasked with finding and working with a mastering engineer to put the finishing touches to both albums.