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A new business model based around the Internet promises to make professional mastering more convenient — and much more affordable. But is on-line mastering a real alternative or a false economy? We put the UK's leading services to the test.
Last month we discussed how to prepare mixes so that they are ready for the mastering engineer. This month, we look inside the mastering room during the processing of an album, to see what kind of equipment is used, and the sort of processes that are applied to finish the tracks to the required standard.
If you're looking to release a record that you have produced at home, it's a good idea to have the product professionally mastered, but it is not always obvious if a mix is adequately finished. We find out how to prepare your songs for the mastering house, and what the engineer can do for you.
Many home recordists hope to perfect their productions by undertaking their own mastering on their studio computer. However, few seem to achieve the classy results they're after. So how much can you realistically achieve by going it alone, and what techniques will deliver the highest-quality results?
An established studio in the USA is planning to rely on software that can be freely downloaded from the Internet. Are they crazy, or do Linux-based recording applications offer a real alternative to the established Windows and Mac packages?
Last month we showed you how to go about recording a complete (jazz) band to stereo on location. Now let's examine the ways in which you can compile and process the different takes to make up a coherent whole.