Immersive Audio

Eventide’s celebrated reverb and pitch/modulation plug‑ins have been reinvented — with immersive audio applications in mind.

With Studio One 6.5 you already have all the tools you need to mix in Atmos, so why not give it a go?

U2’s residency at the Sphere in Las Vegas is revolutionising live music.

Want to mix in Atmos? We take a look at compatible DAWs.

Now you can create Atmos mixes using any DAW! But that’s not all this app has to offer...

Intuitive and powerful, this compressor can handle anything from mono up to 7.1.4 Atmos sources.

Immersive audio is a powerful way of presenting live music — and it’s becoming more and more accessible to independent artists.

David Kosten’s first commercial Atmos project was an immersive mix of one of the greatest albums of all time. No pressure...

Sound Particles have placed 3D audio at the heart of their new soft synth.

Four‑time Grammy winner Michael Romanowski is one of very few people offering mastering services for immersive music.

Sonarworks’ SoundID has improved stereo monitoring in countless studios worldwide. The new multi‑channel version is designed to do the same for immersive audio.

The buzz around immersive visual media is creating plenty of new opportunities for those who record spoken word for a living. But how do these new jobs differ from traditional ones?

Designed from the ground up for processing multi‑channel Atmos sources, Spherix boasts some innovative and useful features.

The ultimate one‑man band, Brazilian artist Ricardo Bacelar uses layers of drums, percussion, guitars and keyboards to build up dense immersive mixes.

A good real‑time analyser can draw attention to what our ears miss, and with multi‑channel formats that second opinion can be invaluable.

Immersive audio is a massive opportunity — if you’re equipped to take it. Here’s what you’ll need to do to make your studio Atmos‑ready.

Can a legendary engineer create immersive audio mixes without giving up his beloved SSL console? Of course he can!

We show you how to get started in the brave new world of Dolby Atmos, using Logic Pro.

Embody’s Immerse Virtual Studio aims to replicate loudspeaker listening on headphones — and the newest variant does so in up to 7.1.6 surround.

Taking a chance on immersive music has paid off handsomely for producer Stan Kybert, who has reinvented himself as one of the UK’s busiest Atmos mixers.

Leading mix engineer Andy Bradfield shares some of the lessons he’s learned in getting to grips with Dolby Atmos.