We visited Alan in his state-of-the-art Dolby Atmos mix room at Hans Zimmer's Remote Control Productions studio complex in Santa Monica, California, to hear his extraordinary life story and find out what's involved in mixing a blockbuster movie score.
South African musician and producer Ross Dorkin has diligently cultivated his career as a producer and engineer specialising in spatial audio composition with Dolby Atmos, alongside his work as an artist.
The buzz around immersive visual media is creating plenty of new opportunities for those who record spoken word for a living. But how do these new jobs differ from traditional ones?
GLM Speaker Calibration • Aural ID Headphone Personalisation
Aki Mäkivirta, R&D Director at Genelec, talks to Sam Inglis about the latest developments in immersive audio, GLM measurement software and Aural ID technology.
Working in immersive audio can be intimidating even for experienced professionals. Caroline Hilton’s team at Universal Music provide the help that mix engineers need to make that transition.
Taking a chance on immersive music has paid off handsomely for producer Stan Kybert, who has reinvented himself as one of the UK’s busiest Atmos mixers.
Immersive audio has huge creative potential for music production, but it can be hard to get your head around. Here’s the explanation you’ve been waiting for!