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Microphones / Miking

Microphones & Miking Techniques: An Introduction

When you enter the world of audio recording, one of the first tools you'll encounter is the Microphone. But with the variety available and the myriad ways to use them, it can be a daunting journey. This explainer aims to simplify that process for you.

1. What is a Microphone?

A microphone is a device that converts sound waves into electrical signals. At its core, it captures vibrations (from voices, instruments, or any other sounds) and translates them so they can be amplified, recorded, or transmitted. Different microphones are designed to capture sound in various ways and have distinct characteristics that make them ideal for specific tasks.

2. Types of Microphones

  • Dynamic Microphones - These mics are rugged, moisture-resistant, and can handle high sound pressure levels (SPL), making them perfect for live sound environments and studio applications. They use a diaphragm attached to a coil of wire, placed within the magnetic field of a magnet, which means they don't need a power source.
  • Condenser Microphones - These are more sensitive and offer a higher frequency response and louder output than dynamic mics. They're commonly used in studio recording settings. They require power (from batteries or phantom power) to charge their internal electronics.
  • Ribbon Microphones - Known for their high quality and smooth character, ribbon mics capture sound with a thin strip of metal suspended in a magnetic field. They're fragile and typically used in studio environments.
  • Lavalier Microphones - These are small clip-on mics often seen in broadcasting for interviews and presentations.
  • Shotgun Microphones - With a very narrow area of sensitivity, or "polar pattern," these mics are used to pick up sound from a specific direction. They're commonly used in film and TV production.

3. Miking Techniques

  • Close Miking - Placing the microphone close to the sound source. This technique captures the direct sound and reduces the amount of ambient noise. It's commonly used in both live sound and studio recording.
  • Ambient Miking - Mics are placed at a distance from the sound source. This captures more of the room's acoustics and ambient noise, providing a more "natural" or "live" sound.
  • Stereo Miking - Uses two microphones to capture a stereo image. Common techniques include X/Y (where two cardioid mics are placed close together at a 90-degree angle) and spaced pair (where two mics are several feet apart).
  • Miking Drums - Each drum or cymbal can be miked individually (close miking) or a few overhead mics can be used to capture the entire kit (ambient miking).
  • Miking Guitars - For acoustic guitars, placing a mic near the 12th fret captures a balanced sound. Electric guitars are often miked by placing a microphone close to the amplifier's speaker.

4. Polar Patterns

This term refers to the sensitivity of a microphone to sounds arriving from different directions:

  • Cardioid Picks up sound best from the front.
  • Omnidirectional Picks up sound equally from all directions.
  • Bidirectional (or figure-of-eight) Picks up sound best from the front and back.
  • Supercardioid and Hypercardioid Have a narrower front pickup area but a small rear pickup area.

Explore Further

Choosing the right microphone and employing the best miking technique can dramatically impact the quality of your recordings. Whether you're capturing vocals, instruments, podcasts, or on-field sounds, understanding the basics outlined above can set you on the path to producing professional-level audio. Remember, experimentation is key: try different mics and techniques to find what works best for your unique situation! And check out all of the Sound On Sound articles listed below for plenty of buying advice and 'how to' techniques.

Displaying 1 - 15 of 15 items
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    AEA N13 mid-field ribbon mic

    AEA add N13 ribbon mic to Nuvo series

    Aimed at mid-field capture duties

    Aiming to fill the gap between the N22 and N8, AEA's latest offering has been designed with horns, strings, acoustic guitar, drum overheads and percussion recording in mind. 

    News
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    AEA KU5A

    Unidirectional Ribbon Microphone

    Inspired by RCA's BK5, AEA's latest mic combines classic ribbon tone with a supercardioid polar pattern.

    Reviews Jan 2020
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    AEA show off their KU5A supercardioid ribbon mic

    We get the story behind the unusually robust new ribbon mic

    We brought you the ...

    News
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    AEA launch KU5A supercardioid ribbon mic

    New design ideal for vocals with no pop shield needed

    The KU5A, AEA’s brand new addition to their range of modern ribbon mics is certainly an unusual beast....

    News
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    AEA Nuvo N8

    Active Ribbon Microphone

    AEA continue their quest to modernise the ribbon mic, with this worthy addition to their new Nuvo range.

    Reviews Aug 2015
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    AEA phantom-powered N8 ribbon mic launched

    New mic uses same ribbon as flagship R44

    AEA are announcing the launch of the N8 phantom-powered ribbon microphone at this year’s AES Convention....

    News
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    AEA N22

    Active Ribbon Microphone

    AEA's new N22 hopes to bring the coveted ribbon-mic sound up to date and within reach of the masses. We power it up...

    Reviews Apr 2014
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    eARgtv29Lxs.jpg

    AES 2013: AEA N22

    Nuvo series phantom-powered ribbon microphone
    News
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    AEA A840

    Active Ribbon Microphone

    Passive ribbon mics can be fussy about what they’re plugged into, which is why AEA have made this active version of their popular R84.

    Reviews Feb 2012
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    AEA KU4

    Supercardioid Ribbon Microphone

    This lovely mic from AEA is based on a classic RCA design from the ‘40s. It certainly looks the part, but is it worth the asking price?

    Reviews Jan 2012
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    AEA A440

    Active Ribbon Microphone

    Some microphones ooze quality to the extent that price almost becomes unimportant. Is AEAs new active version of the venerable RCA 44 design one of them?

    Reviews Jun 2009
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    AEA R92 & TRP

    Studio Ribbon Microphone & Preamp

    This classy ribbon mic doesn't just look great — AEA's thoughtful design means that it also offers great sonic results.

    Reviews Apr 2007
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    AEA R88

    Stereo Ribbon Microphone

    This new monster mic incorporates two separate ribbon diaphragms, allowing you to use either Blumlein or M&S stereo recording configurations.

    Reviews Dec 2005
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    AEA R84

    Ribbon Microphone

    This ribbon microphone design uses an exceptionally large transducer for high-quality performance in the modern studio.

    Reviews Feb 2004
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    AEA R44C Ribbon Microphone.

    AEA R44C

    Ribbon Microphone

    Built as an authentic replica of one of the all-time classic mics, this premium ribbon model from Audio Engineering Associates brings a unique character to the modern studio.

    Reviews Jun 2002
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