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Microphones & Miking Techniques: An Introduction

When you enter the world of audio recording, one of the first tools you'll encounter is the Microphone. But with the variety available and the myriad ways to use them, it can be a daunting journey. This explainer aims to simplify that process for you.

1. What is a Microphone?

A microphone is a device that converts sound waves into electrical signals. At its core, it captures vibrations (from voices, instruments, or any other sounds) and translates them so they can be amplified, recorded, or transmitted. Different microphones are designed to capture sound in various ways and have distinct characteristics that make them ideal for specific tasks.

2. Types of Microphones

  • Dynamic Microphones - These mics are rugged, moisture-resistant, and can handle high sound pressure levels (SPL), making them perfect for live sound environments and studio applications. They use a diaphragm attached to a coil of wire, placed within the magnetic field of a magnet, which means they don't need a power source.
  • Condenser Microphones - These are more sensitive and offer a higher frequency response and louder output than dynamic mics. They're commonly used in studio recording settings. They require power (from batteries or phantom power) to charge their internal electronics.
  • Ribbon Microphones - Known for their high quality and smooth character, ribbon mics capture sound with a thin strip of metal suspended in a magnetic field. They're fragile and typically used in studio environments.
  • Lavalier Microphones - These are small clip-on mics often seen in broadcasting for interviews and presentations.
  • Shotgun Microphones - With a very narrow area of sensitivity, or "polar pattern," these mics are used to pick up sound from a specific direction. They're commonly used in film and TV production.

3. Miking Techniques

  • Close Miking - Placing the microphone close to the sound source. This technique captures the direct sound and reduces the amount of ambient noise. It's commonly used in both live sound and studio recording.
  • Ambient Miking - Mics are placed at a distance from the sound source. This captures more of the room's acoustics and ambient noise, providing a more "natural" or "live" sound.
  • Stereo Miking - Uses two microphones to capture a stereo image. Common techniques include X/Y (where two cardioid mics are placed close together at a 90-degree angle) and spaced pair (where two mics are several feet apart).
  • Miking Drums - Each drum or cymbal can be miked individually (close miking) or a few overhead mics can be used to capture the entire kit (ambient miking).
  • Miking Guitars - For acoustic guitars, placing a mic near the 12th fret captures a balanced sound. Electric guitars are often miked by placing a microphone close to the amplifier's speaker.

4. Polar Patterns

This term refers to the sensitivity of a microphone to sounds arriving from different directions:

  • Cardioid Picks up sound best from the front.
  • Omnidirectional Picks up sound equally from all directions.
  • Bidirectional (or figure-of-eight) Picks up sound best from the front and back.
  • Supercardioid and Hypercardioid Have a narrower front pickup area but a small rear pickup area.

Explore Further

Choosing the right microphone and employing the best miking technique can dramatically impact the quality of your recordings. Whether you're capturing vocals, instruments, podcasts, or on-field sounds, understanding the basics outlined above can set you on the path to producing professional-level audio. Remember, experimentation is key: try different mics and techniques to find what works best for your unique situation! And check out all of the Sound On Sound articles listed below for plenty of buying advice and 'how to' techniques.

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    SE Electronics RNR1

    Active Ribbon Microphone

    If you put together a classical musician turned mic manufacturer, and analogue audio legend Mr Rupert Neve, youd expect the outcome to be something rather special — and it is.

    Reviews May 2009
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    SE Electronics SE4400a

    Multi-pattern Condenser Microphone

    Small size and a choice of polar patterns make this mid-priced, large-diaphragm mic a very versatile performer.

    Reviews Apr 2009
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    sE Electronics SE4

    Small-diaphragm Condenser Microphone

    The SE3 was a popular mic, but it only came in cardioid flavour. The new SE4 gives you more options...

    Reviews Mar 2009
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    SE Electronics Gemini II & Z5600a II

    Valve Microphones

    SE have updated their Gemini and multi-pattern Z5600a mics with extra facilities and better technical specs. Are they worthy contenders for space in your mic locker?

    Reviews Mar 2008
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    SE Electronics GM10

    Acoustic Guitar Microphone

    After vocals, acoustic guitar must be the most popular thing to poke a mic at — at least in a typical home studio — yet it isn't always the easiest instrument to record, because as soon as you find that magic sweet spot, the player moves! Does SE's latest mic offer a solution?

    Reviews Jul 2007
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    SE Electronics R1

    Ribbon Microphone

    The democratisation of the ribbon mic continues with the release of an attractive model from SE. We find out whether it sounds as good as it looks.

    Reviews Nov 2006
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    SE Electronics Mini & 2200A

    Condenser Microphones

    These two new SE models may come in at an entry-level price, but they are both highly capable capacitor mics, each with a distinctly different sound character.

    Reviews Jun 2006
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    SE Electronics Titan

    Multi-pattern Condenser Microphone

    The capsule within this microphone has a diaphragm coated with titanium, rather than the usual gold. We find out whether it makes any sonic difference...

    Reviews Nov 2005
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    SE Electronics SE1A • SE2A • SE3

    Condenser Microphones

    A new set of small-diaphragm mics offers solid and versatile performance at a fiercely competitive price.

    Reviews Jul 2005
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    SE Electronics Icis

    Valve Condenser Microphone

    This strikingly styled new valve mic offers a sound inspired by vintage classics.

    Reviews Nov 2004
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    Q. What mics should I use on a snare drum?

    I am looking at buying a matched pair of SE Electronics SE1 mics for drum miking. Would the SE1s be suitable for 'over and under' miking of the snare? If not, could you offer any alternatives for this kind of configuration?

    Sound Advice Oct 2004
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    SE Electronics Z3300A

    Multi-pattern Microphone

    This new mic offers three polar patterns and a surprisingly high-end sound for the money.

    Reviews Aug 2004
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    SE Electronics Gemini

    Dual-valve Capacitor Microphone

    This impressive mic from SE Electronics uses two valves instead of the usual one. But does it actually make any sonic difference?

    Reviews Jun 2004
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    SE Electronics Z5600

    Valve Microphone

    A nine-pattern valve mic at a surprisingly low price.

    Reviews May 2003

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