The best engineers thrive on pressure. Which is handy when they’re recording the farewell tour of one of the world’s biggest rock bands, and timecode trouble is brewing...
I’m using a Yamaha EMX 5000-20 for live sound and I seem to be unable to get the foldback working for some sources, even though it works for others. Am I missing something obvious?
I’ve read that pro gear should use balanced connections, but I’ve been looking for a mixer recently and find that most have unbalanced insert points. My interface uses balanced I/O, as does most of my outboard gear. What gives?
Greg Price has spent nearly 20 years at front of house for some of the biggest names in rock, and now his company believe they’ve perfected the art of live recordings.