
Summer NAMM 2018: Fender In-Ear Monitors
Fender have announced a brand new range of in-ear monitors featuring a few intriguing developments that they...
Fender have announced a brand new range of in-ear monitors featuring a few intriguing developments that they...
Self-recording artists rejoice! The Smashmouse controller is designed to let you control your DAW with your feet...
Eventide’s latest power supply allows you to not only power pedals requiring 9, 12, 15 and 18 volts of power...
We were really impressed by the original Mercury, a variable-pattern valve mic from British mic manufacturers...
Mara Machines founder Chris Mara has been restoring MCI tape machines for years. Now, he’s dragging them into...
After introducing the Katana Air — a wireless version of their guitar amp — at Winter NAMM, Boss have...
Ever since buying Sphere Recording Consoles, owner Duncan Rowe has been planning to restart production of...
LaChapell Audio are perhaps best known for their boutique studio hardware, but with their new black series,...
Bridging the gap between the Impact LX+ and Panorama P-series, Panorama T4 and T6 deliver a new level of system integration with deep instrument plug-in control in any VST/AU compatible host, DAW control, new performance features and extensive MIDI functionality.
The brand new large diaphragm condenser from Roswell Audio is based around an edge-terminated CK-12 capsule,...
We get a demo of the latest electronic drum kit from Alesis, sporting four, dual-zone, eight-inch mesh heads...
We check out the new 1176-style rackmount compressor from Black Lion Audio. For only $649, there's a lot...