Last month, we recounted our experiences of tracking a jazz big band on location. Now we explain what it takes to turn the raw multitracks into a nicely polished production.
Producer: Voyle Gilmore • Engineer: John Palladino
In 1956, Frank Sinatra revived his flagging career with an album that would define the swing sound and go on to become one of the most highly regarded in history. John Palladino, now in his 92nd year, was at the controls...
This month, we record a jazz big band on location, tracing the project from the planning stages through to delivering edited multitracks to the mix engineer.
In this new column, engineers share their experiences of real-world recording sessions, explaining the decisions they made, and what went right and wrong along the way. First up, we record an indie-rock band on location...
Producers: Trent Reznor, Mark 'Flood' Ellis • Engineer: Sean Beavan
Although the shock value of its lyrics and ensuing censorship earned it notoriety, ‘Closer’ perfectly exemplifies Trent Reznor’s radical use of sampling and singularly focused musical vision.
Imagine mixing the world’s biggest bands in front of an audience of millions — with no soundcheck. It’s all in a day’s work for BBC in-house engineers.