Tracks that I mix in my home studio tend to sound really bad in my car, but when I correct the mixes so they sound good in the car, they sound awful over my monitors — so what's going wrong?
This month, Session Notes goes upmarket, giving readers a chance to get their mitts on a professional multitrack session from the world's most famous studio.
This month our selection includes albums from Junkfoxx, Retrodog, Marcus Reeves, My Youth, Pete Thomas & The Horns A Plenty, The Wicked Whispers, Into The East and Adamrake.
Producers: Andy Warhol, Norman Dolph, Tom Wilson • Engineers: John Licata, Ami Hadani
Its status as one of pop's most influential albums is clear, but the circumstances surrounding the creation of The Velvet Underground & Nico have always been clouded. We asked Andy Warhol's co-producer to set the record straight.
The effects of recording to tape seem to be very subtle, with the so-called 'warmth' appearing to be largely due to the soft-saturation characteristics of the tape itself and other non-linear components in the signal chain.
When the Clash entered the studio for the first time they were determined not to sacrifice their punk principles, and the fates — not to mention a sympathetic engineer and a negligent record company — were on their side...