SOUND ON SOUND
Noise Engineering bring their distinctive modular philosophy to the computer.
sE’s latest mic combines a moving‑coil capsule with the company’s Dynamite preamp technology.
Focal’s premium ST6 series promises monitoring without compromise.
Brusfri is a simple‑to‑use noise‑reduction plug‑in designed to attenuate steady‑state noise using the established technique of analysing a short section of ‘noise‑only’ recording.
New synth‑makers PWM met the Devil at a crossroads at midnight. This is the result.
If you play acoustic instruments with piezo pickups and require the very best amplification, the AP1 is a serious contender.
Could this plug‑in meet all your vocal‑polishing needs?
In collaboration with Christian Bloch of Funque Mod, the LMNC modules have been shrunk back down to Eurorack size and released as finished modules.
Rating: 5/5 Stars. Large orchestral sections are augmented by a mixed choir, but in an unexpected twist this sample library also includes analogue and modular synths.
The S9 turns your guitar into a full‑blown string section.
MTurboAmp lets you build pretty much any amp or distortion pedal you want!
Oberheim are back, and doing what they do best — making massive polysynths with a massive sound.
Softube take on Roland’s classic SH-101.
The keyboard version of the desktop version of the Quantum, is the Iridium Keyboard even better than the original synth?
Sit/stand desks are becoming the norm in many work environments, and with these motorised speaker stands, your monitors needn’t be left behind!
Wave Alchemy’s TRIAZ could be all the percussion software you’ll ever need.
The glory days of the stereo microphone are long gone — or are they?
Could this natty iPhone app help you structure your songs and make better demos?
Novation’s first attempt at an 88‑note controller keyboard seems to get everything right.
Techivation have quietly been building an impressive range of plug‑ins which tend to tackle everyday mixing techniques...