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We put DPA’s new kick mic to work on a series of major festival headline shows.

Spanning over 300 pages this book condenses an entire career of experience and knowledge into a really practical guide, focusing on exactly what a newcomer to the industry needs to know and do.

PreSonus’ new desktop mic gives you a broadcast‑ready sound out of the box.

There are a multitude of excellent Eurorack sequencers available in all shapes and sizes. Principally they all fulfil a...

AJSynth’s original Mini Mod series has always blazed the trail, supplying a Minimoog concept in Eurorack form. Coupling...

When you mention function generators in Eurorack you tend to start thinking about West Coast synthesis. For those of us...

TC Electronic’s first chorus device dates back to 1976 and is now reborn in the form of their SCF Gold all-analogue pedal.

Rating: 4.5/5 Stars. Plateau is best described as a package of Arctic Soundscapes, re‑synthesized from strings, flutes, bowed guitar and prepared piano.

Rating: 5/5 Stars. Sahara Beats is based on a wide range of exotic percussive beats and grooves inspired by Middle Eastern and North African music.

Rating: 5/5 Stars. We check out the first EZX designed for EZD3 — Big Stage.

Marketed by United Plugins, JMG Audio’s Nanopulse is a sophisticated transient enhancer. It applies profiles extracted from a variety of percussive sources to the input signal...

Rating: 4.5/5 Stars. This 32GB Kontakt library presents an unusual Viennese baby grand piano from 1877 by the little‑known maker Franz Oeser.

Boss have launched a Waza Craft Fuzz pedal, which uses new circuitry that aims to recreate classic fuzz sounds and more modern variants.

Many of the best‑loved classic equalisers used a passive inductor‑capacitor (L‑C) circuit, in most...

sE’s new desktop mic is good for more than just podcasting!

These powerful self‑contained instruments blend analogue and digital sound generation to devastating effect!

Cinesamples give you the tools to design your perfect impact.

Can headphones really replace a high‑end monitoring setup? Neumann seem to think so...

Every studio needs at least one good vocal mic. Is Audix’s A231 the right choice for yours?

It’s useful to be able to work on headphones even when mixing immersive audio. Does Genelec’s Aural ID system make this easier?