SOUND ON SOUND
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These flexible effects pedals from the makers of the original Harmonizer are equally at home on stage and in the studio, with guitar, keys or even a mixing desk.
You might expect a specialist audio PC to come with an intimidating price tag, but — as the Rain Recording Solstice range proves — that need not be the case...
Cadac’s large-format consoles are legendary in touring theatre circles, but their Live 1 range aims to clean up in the compact-mixer market...
A collection of imperative tips for harnessing the power of Roland's monster multitracker.
FXpansions first foray into the soft-synth world yields some unexpected but welcome results...
It's just a jump to the left, and then a step to the right. With your hands on your hips, you bring your knees in tight. But it's the pelvic thrust that really drives you insane. Let's do the time-warp again?
A new Refill is reviewed and ways around some common Reason problems are offered.
SOS Editor-In-Chief Paul White provides another virtual discourse whilst waiting for some MDF panels and acoustic foam to set...
• Zero-G Phaedra • Marshall Jefferson House Generation • Platinum Samples Joe Barresi Evil Drums
Thanks to iTunes, online music distribution is a reality — but can you really use it to make money from your own music?
The latest incarnation of Wave Arts' plug-in suite is a treat for the eyes and the ears.
You might think that the guitar wouldn't lend itself to creating cinematic soundscapes, but Sample Logic show us it's time to think again.
All modern sequencers make it easy to enhance your arrangements with subtle tempo variations, but these facilities are often ignored.
For the first time ever, Digidesign's Pro Tools recording software is available as a stand-alone product, which can be used in conjunction with any of five audio interfaces from M-Audio.
The time-domain response of monitors is often sacrificed for level, but this sealed-cabinet design tackles that issue head-on...
If you want the impact of heavily compressed drums but dont want to sacrifice your dynamics, parallel compression is the way to go. This month we explore the best ways to achieve this effect in Reason.
Japan's YMO helped pioneer the use of electronic instruments and sampling. Now Uwe Schmidt, aka Señor Coconut, has used the same techniques to render their greatest hits as Latin dances, with contributions from all three original YMO members.
The celebrated mix-buss compressor design from the G-series consoles has been brought up to date using SSL's latest Superanalogue circuitry.
PREVIEW: Focusrite's Liquid Mix could be the hottest product of the year, using convolution technology to integrate a stellar range of vintage analogue EQ and compressor replicas into your DAW. We got our hands on a prototype to see whether it lives up to the hype... (A full test will follow in September 2006 issue.)
The last few weeks I have been recording using the Yamaha SW1000XG together with a Joemeek VC3 preamp/compressor. During...