SOUND ON SOUND
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The DM3 is an compact in-line active DI box from sE Electronics, and is based on the technology used in their DM1 and DM2 microphone preamplifiers.
Mastermind is an all-in-one mastering plug-in equipped with EQ matching facilities, a limiter, and saturation processing.
Focusrite have released a podcasting accessory bundle containing headphones, a microphone and XLR cable, and made their Vocaster DM14v microphone available as a separate purchase.
Oddity3 is the latest version of GForce Software's ARP Odyssey recreation, and features a host of new features and improvements including support for velocity and polyphonic aftertouch.
Korg have announced that Nautilus owners are now able to equip their instruments with the full complement of sounds from the company’s hugely successful M1 synthesizer workstation.
The SL-2 Slicer from Boss offers some of the features and sound capability of their SL-20 in a more compact, pedalboard-friendly form factor.
What does Melodyne ARA integration mean for you as a Pro Tools user?
I gather Windows 10 doesn’t support FireWire after a certain update, and I have some legacy devices that I’d like to be able to use. Are there any risks in updating?
I’ve played with ‘out of phase’ parallel compression (where the compressed signal path is polarity inverted) — but, honestly, I didn’t really understand what I was doing...
Reason’s new Player device specialises in the often overlooked art of sequencing chords.
Ricky Reed has worked with a multitude of artists across a huge range of genres, most recently delivering a string of huge hits for Lizzo.
Immersive audio is a massive opportunity — if you’re equipped to take it. Here’s what you’ll need to do to make your studio Atmos‑ready.
Teno Afrika, aka Lutendo Raduvha, is one of South Africa’s fastest‑rising electronic music stars.
Want to learn about vintage studio effects units? This book is a great place to start.
Cubase 12’s new MIDI Remote features make it easier than ever to get hands‑on with your plug‑in effects and virtual instruments.
Once the preserve of academic and experimental music, granular synthesis is more accessible than ever and has a lot to offer in all sorts of genres.
Could live streaming open up fresh worlds for your music?
Multi‑platinum mixer and engineer Richard Chycki details how he got Geddy Lee’s bass sound on ‘Caravan’.
Timofey Reznikov made a name for himself recreating tracks by famous producers. Now, he mixes their tracks!
Immersive audio is helping Jean‑Michel Jarre implement a distinctly French musical vision, inspired by his own mentors.