SOUND ON SOUND
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With over 170 pages, this FREE illustration-rich eBook is aimed primarily at newcomers to the subject, but will prove equally valuable to students and anyone struggling with the complexities of today’s sophisticated recording technology.
Akai go large with the super heavyweight MPC XL.
ARTonic’s debut product lets anyone explore chord voicings and harmony — with ease!
With their debut speakers, South Korean company AsciLab have raised the bar for nearfield monitoring.
We all love a good spring reverb, but this one offers a much wider range of sounds than most.
The United States Of America released a single album of uniquely experimental music in 1968. Decades later the rest of the world began to catch up to what was almost a lost classic of the psychedelic era.
Need to fake a double from a single vocal? Cubase has plenty of options...
Affordable and effective, broadband absorbers are the first port of call for acoustic treatment with good reason. But sometimes you’ll hit on an acoustics challenge that requires greater precision...
FabFilter take compression to the max.
The original Herchild impressed us hugely, and this new, alternative version costs a fraction of the price — can it really deliver a similar sound and performance?
With a career that now spans 40 years, Supple has worked with artists across a wide range of genres, including Coldplay, Pet Shop Boys, Morrissey, Suede, U2, Spandau Ballet, Elbow and Kylie Minogue, to name but a few.
Adam Thein mixed Djo’s second album entirely on headphones — including a hit that went viral twice and topped charts five years after its release.
With AI‑powered stem separation on board, JBL’s new portable speaker gives performers the freedom to replace vocals and instruments in any backing track.
Not so long ago, it seemed as though studios would become entirely virtual. Instead, hardware has had a resurgence...
Logic’s new Synth Players add yet more keyboardists to your virtual band.
Want your mixes and masters to have power and impact on streaming services? Then you might want to pay more attention to density and dynamics...
Midifex’s Lujin controller could be just what you need for adding expression to orchestral samples.
Electro‑Harmonix already build a few ‘out there’ pedals, but you’d need the James Webb telescope to see just how far out there the new Atomic Cluster pedal is!
If you like granular effects that are easy to use and easy on the wallet, check out FRCTL’s GRN.
This candid and often humorous autobiography charts the arc of Louis’ career.