SOUND ON SOUND
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Now that the excitement surrounding the launch of DP 4.5 has subsided somewhat, developments by MOTU-friendly companies get this month's column under way.
If you are a user of MOTU's Digital Performer sequencing software, you have access to an extensive and full-featured automated mixing environment. Here's how to use it...
This month sees a high-quality, free EQ plug-in gracing the Digirack suite, some intriguing options for collaboration via the Internet, and a host of updates.
For the first time ever, Digidesign's Pro Tools recording software is available as a stand-alone product, which can be used in conjunction with any of five audio interfaces from M-Audio.
Pyramix might be the new kid on the block as far as audio recording and editing are concerned, but that hasn't stopped it quickly proving itself a very serious rival to Pro Tools and other established DAWs.
Back in 1986-7, there was an ad for an amazing and inexpensive technique which, it claimed, added many more audio tracks to your eight-track reel-to-reel tape machine. How did it work?
I previously owned a DPS12 and that was fairly simple, but the DPS24 manual talks about using 'groups' to route inputs to tracks. What is a group and how are they used?
I've been coming home from gigs recently with my ears ringing and I'm worried about damaging my hearing. What kind of (preferably unobtrusive) ear protection should I be looking at?
I have a Neutrik quarter-inch jack patchbay that I'm having problems with. The unit is only a few months old but already I...
Most people find that learning keyboard commands for their DAW enables them to get things done faster, and for the advanced user, Pro Tools has a special mode which turns the entire QWERTY keyboard into a bank of one-press shortcuts.
If I limit using a Alesis Nanocompressor when recording into my Emu 1820 soundcard, can I still limit the final mix with, say, Waves' L1 Ultramaximizer without any problems?
I've recorded several songs in 24-bit/48kHz. When I went to burn the CD, I had to convert them to 16-bit/44.1kHz. So does it make a difference in the audio quality of the final CD tracks to record at the higher rates?
Real Traps' biggest bass trap offers heavy-duty low-frequency absorption for the serious home studio.
With some clever programming, an Italian software house have created a program that claims to add an audio input to Reason. We take a sneak peek, as well as bringing you essential Reason news and quick tips.
Four sample libraries get the aural review treatment from the SOS samplists: AMG Evolved Analog **** Chemical Synths ***** Power FX Cinematic Hip-Hop **** Sample Lab Discography *****
Tinnitus and other permanent hearing damage are apparently reaching near-epidemic levels. To help warn people when their hearing is at risk, the hearing-protection specialists Sensorcom have produced the Soundcheck key fob.
Cakewalk go global, and release a new soft synth.
The tools available in Magix's highly regarded recording package cover every stage of the recording process, from MIDI sequencing to mastering and CD burning. Version 8 adds some neat extras including analogue-style processors, a virtual drum machine and an Acid-style beat-mapping tool.
The most exciting addition to the new version of Reason is arguably the Combinator device, which greatly expands the flexibility and programming potential of everything in the Reason rack. We guide you through the creation of a Combinator patch to get you started with this great new device.
Is there a correlation between pottery and soft synths?