SOUND ON SOUND
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Big George holds forth on the vexed question of management...
Even if you have top-notch recording gear, and the expertise to use it effectively, there are still a number of more intangible problems that the recording musician can face. Amanda Lowe answers some of your questions on how to maintain creativity and a positive attitude in the studio.
Reflecting the growth in the number of VST Instrument plug-ins, as opposed to those designed purely for processing of effects treatments, established plug-in developers FXpansion have now produced DR005, a 'soft drum machine'. Paul Ward snares a copy...
Derek Johnson looks at Glyph's new SCSI and FireWire drives, and investigates the advantages of dedicated audio storage.
Paul White checks out a new emulation of vintage tape echo, and tries not to mention Hank Marvin...
It may not be well known, but it is sought-after. Simon Lowther relates the history and mystery of an early 48-note polyphonic analogue synth and its well-connected family.
Paul White steps back in time with the Line 6 DM4, and revisits fuzz boxes through the ages.
![Figure 1: [top-left] A paraphonic synthesizer. Figure 2: [bottom-left] A fully polyphonic analogue synthesizer. Figure 3: [right] Octave divider boards.](https://dt7v1i9vyp3mf.cloudfront.net/styles/teaser_large/s3/imagelibrary/s/synth1_2_3-0101-muEtxP7wD74DHo.jL_rSEge628JVxWw1.gif "Figure 1: [top-left] A paraphonic synthesizer. Figure 2: [bottom-left] A fully polyphonic analogue synthesizer. Figure 3: [right] Octave divider boards.")
This time, Gordon Reid explains how various analogue synth manufacturers attempted to create workable polyphonic synths by employing digital technology.
M Audio's Omni I/O interface allows 'Delta card' users to add mic amps, instrument inputs, insert points and monitoring capabilities to their existing systems. Martin Walker gets connected.
Magma's ingenious PCI Expansion Chasses attach to portable computers via PCMCIA and allow you to run PCI audio, video and SCSI cards. Paul Wiffen tries out the latest model, which works with current Apple Powerbooks as well as PC portables.
Martin Walker looks at a handy half-rack unit which could provide an ideal front end for your computer-based recording system.
Many of you were caught out by our 1995 April Fool preview of a fictitious piece of software that could modify the musical style of a MIDI file to create specific emotions in the listener. Now, however, it seems that fact may have caught up with fiction. Martin Walker tries out Ntonyx's innovative Style Morpher.
The new C16 offers 16 MIDI-assignable control faders for the thoroughly reasonable price of £150. Derek Johnson and Debbie Poyser love that feeling of control...
The XV88 is the first of Roland's new XV range of synths to sport a keyboard, and also adds all manner of real-time control facilities. Gordon Reid checks it out with two of the new SRX-format sound expansion boards.
Want the sound of real drumming in your Cubase mixes, but find sample CDs too inflexible? Steinberg believe they have the answer. Sam Inglis tries out the first releases in the VST Drum Session series.
Paul White enjoys the creative potential of Alesis' distinctive and highly affordable new interactive effects processor.
One of Britain's leading experts in orchestral arrangement, David Sinclair Whitaker has worked on everything from the original version of 'My Way' to hits by S Club 7. Mike Senior finds him still going strong after more than 35 years in the music business...
Sam Inglis catches up with man behind one of the year 2000's biggest dance hits, and hears about a tangled web of remixes, bootlegs and licensing deals; not to mention the most bizarre synthesizer on the market today...
SOS pay a visit to more avid readers to investigate their home/project studio.